[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:zing-went-the-strings-of-my-heart":3},"title: Zing Went The Strings Of My Heart\ncomposer: James Hanley\nstyle: Medium Swing\nkey: Eb\nform: AABA, 56 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | EbMaj7\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7\n5  | Fm7     # ii of Bb7: Dorian\n6  | Fm7\n7  | Bb7     # V7\u002FI in Eb: natural tensions\n8  | Bb7\n9  | AbMaj7  # IV: the #4 is the key’s 7th\n10 | AbMaj7\n11 | Abm7    # iv7 from the parallel minor: Dorian, its notes\n12 | Abm7\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FV in Eb: natural tensions\n15 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\n17 | Cm7     # ii of F7: Dorian\n18 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n18 | Bb7     # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n20 | Eb6\n@ending 1 13 16\n@ending 2 17 20\n\nsection: B\n1  | Fm7     # ii of the ii–V to Eb\n1  | Bb7     # V7 of Eb: natural tensions\n2  | EbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | F7      # II7 in Eb, not resolving: natural tensions\n7  | Fm7     # ii of the ii–V to Eb\n8  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | EbMaj7\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7\n5  | Fm7     # ii of Bb7: Dorian\n6  | Fm7\n7  | Bb7     # V7\u002FI in Eb: natural tensions\n8  | Bb7\n9  | AbMaj7  # IV: the #4 is the key’s 7th\n10 | AbMaj7\n11 | Abm7    # iv7 from the parallel minor: Dorian, its notes\n12 | Abm7\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb6     # tonic: the 4th is in the key\n16 | Fm7     # ii of the ii–V to Eb\n16 | Bb7     # V7 of Eb: natural tensions\n",1793575906355]