[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:youve-changed":3},"title: You've Changed\ncomposer: Carl Fisher\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Am7b5   # iiø7 of D7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n4  | C7b13   # extended dominant: V7 of F7; b13 from the symbol\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | B7      # tritone substitute: resolves down a half step to Bb7\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Abm6    # a minor sixth chord: Dorian\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6  | Abm6    # a minor sixth chord: Dorian\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Am7b5   # iiø7 of D7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7b13   # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n4  | C7b13   # extended dominant: V7 of F7; b13 from the symbol\n5  | F7      # II7 in Eb, not resolving: natural tensions\n6  | B7      # tritone substitute: resolves down a half step to Bb7\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575906324]