[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:youre-my-thrill":3},"title: You're My Thrill\ncomposer: Jay Gorney\nstyle: Medium Swing\nkey: A\nform: AABC, 36 bars\n# analysis: 2026-10-31, rules v2; A\n\nsection: A1\n# area: A major (A1 1–7)\n1  | E7      # V7 of the A6 before it: natural tensions; the repeat at A2 bar 1 would be E Phrygian Dominant\n2  | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | E7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n4  | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n5  | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n7  | D7      # IV7 in A, not resolving: the #11 is in the key; the repeat at A2 bar 7 would be D Mixolydian\n# area: A minor (A1 7 – B 5)\n7  | Bb7     # tritone substitute: resolves down a half step to Am7\n8  | Am7     # tonic minor: Dorian by convention\n8  | F7      # tritone substitute: resolves down a half step to E7\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | A7b9    # V7\u002Fiv in A minor: the b13 is in the key, the b9 from the symbol\n2  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9    # V7\u002Fiv in A minor: the b13 is in the key, the b9 from the symbol\n3  | Dm7     # iv: Dorian, the key’s own notes\n4  | Dm7\n5  | F#m7b5  # iiø7 of B7: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | B7      # V7\u002Fv in A minor: b9 and b13 are in the key\n# area: E major (B 6 – C 7)\n6  | F#m7b5  # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7      # V7 of E: natural tensions\n7  | EMaj7   # tonic: the 4th is in the key\n8  | Cm7     # ii of F7: Dorian\n8  | F7      # tritone substitute: resolves down a half step to E7\n\nsection: C\n1  | E7      # I7 in E, not resolving: natural tensions\n2  | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | E7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n4  | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n5  | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n7  | D7      # ♭VII7 from the parallel minor: Lydian Dominant\n# area: A minor (C 7–12)\n7  | Bb7     # tritone substitute: resolves down a half step to Am7\n8  | Am7     # tonic minor: Dorian by convention\n8  | F7      # bVI7 in A minor, not resolving: the #11 is in the key\n9  | Am7     # ii of D7: Dorian\n10 | D7      # V7\u002FbVII in A minor: natural tensions\n10 | Dm7     # iv: Dorian, the key’s own notes\n11 | A6      # a non-tonic major chord: Lydian\n12 | A6\n",1793575906293]