[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:youre-my-everything":3},"title: You're My Everything\ncomposer: Harry Warren\nstyle: Medium Swing\nkey: C\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n1  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of C7: Dorian\n2  | C7      # V7\u002FIV in C: natural tensions\n3  | F#m7    # ii of the ii–V to E minor\n3  | B7      # V7\u002Fiii in C: b9 and b13 are in the key\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of G7: Dorian\n6  | Dm7\n7  | G7      # V7\u002FI in C: natural tensions\n8  | FmMaj7  # from the symbol: minor-major 7th\n9  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Ebm7    # ii of Ab7: Dorian\n10 | Ab7     # extended ii–V: a side-step, its own key\n11 | Dm7     # ii: Dorian, the key’s own notes\n11 | Dm7\u002FC   # ii: Dorian, the key’s own notes\n12 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | E7      # V7\u002Fvi in C: b9 and b13 are in the key\n13 | Am7     # ii of D7: Dorian\n14 | D7      # V7\u002FV in C: natural tensions\n15 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n2  | F#7#11  # tritone substitute: resolves down a half step to F7\n3  | F7      # tritone substitute: resolves down a half step to Em7\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii: Dorian, the key’s own notes\n6  | Dm7\u002FC   # ii: Dorian, the key’s own notes\n7  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7b9    # V7\u002Fvi in C: b9 and b13 are in the key\n9  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Ab7     # tritone substitute: resolves down a half step to Gm7\n10 | Gm7     # ii of the ii–V to F\n10 | C7      # V7\u002FIV in C: natural tensions\n11 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n12 | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Ebm7    # a borrowed minor chord: Dorian, its own key\n14 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FI in C: natural tensions\n15 | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n16 | AbMaj7\n",1793575906287]