[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:youre-everything":3},"title: You're Everything\ncomposer: Chick Corea\nstyle: Bossa Nova\nkey: A\nform: ABCB, 59 bars\n# analysis: 2026-10-31, rules v2; A\n\nsection: A\n# area: A major (A 1 – C 1)\n1  | AMaj7      # tonic: the 4th is in the key\n2  | Abm6       # a minor sixth chord: Dorian\n3  | GMaj7      # ♭VIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n4  | F#7b9      # VI7 in A, not resolving: the b13 is in the key, the b9 from the symbol\n5  | Em7        # a borrowed minor chord: Dorian, its own key\n6  | GMaj7#11   # from the symbol: #11\n7  | G#7sus     # static sus: Mixolydian\n8  | Gm7        # a borrowed minor chord: Dorian, its own key\n9  | F#m7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Fm7        # ii of Bb9: Dorian\n11 | Bb9        # extended ii–V: a side-step, its own key\n12 | Em7        # ii of the ii–V to D\n13 | A7         # V7\u002FIV in A: natural tensions\n14 | DMaj7      # the A7 before it makes D the key of the moment: the 4th is in the key\n15 | Dm7        # iv7 from the parallel minor: Dorian, its notes\n\nsection: B1\n1  | AMaj7      # tonic: the 4th is in the key\n2  | Abm6       # a minor sixth chord: Dorian\n3  | GMaj7      # ♭VIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n4  | F#7b9      # V7\u002Fii in A: the b13 is in the key, the b9 from the symbol\n5  | Bm         # ii: Dorian, the key’s own notes\n6  | EbMaj7\u002FBb  # a non-tonic major chord: Lydian\n7  | AMaj7#5    # from the symbol: #5\n8  | G#7        # tritone substitute: resolves down a half step to G13\n9  | G13        # tritone substitute: resolves down a half step to F#7#9#5\n10 | F#7#9#5    # tritone substitute: resolves down a half step to F9; b9, #9 and b13 from the symbol\n11 | F9         # tritone substitute: resolves down a half step to E7b9\n12 | E7b9       # V7 of A: the b9 from the symbol\n13 | AMaj7      # tonic: the 4th is in the key\n14 | Em7        # a borrowed minor chord: Dorian, its own key\n15 | AMaj7      # tonic: the 4th is in the key\n16 | FMaj7#5    # from the symbol: #5\n\nsection: C\n1  | EMaj7      # a non-tonic major chord: Lydian\n# area: G# minor (C 2–5)\n2  | D#7        # V7 of G# minor: b9 and b13 are in the key\n3  | G#m        # tonic minor: Dorian by convention\n4  | C#m7       # iv: Dorian, the key’s own notes\n5  | G#m        # tonic minor: Dorian by convention\n# area: C major (C 6–8)\n6  | G7#9       # V7 of C: b9, #9 and #11 from the symbol\n7  | CMaj7      # tonic: the 4th is in the key\n8  | B7#9#5     # V7\u002Fiii in C: the b13 is in the key, b9, #9 and #11 from the symbol\n# area: A major (C 9 – B2 16)\n9  | Em7        # ii of the ii–V to D\n10 | A7         # V7\u002FIV in A: natural tensions\n11 | DMaj7      # the A7 before it makes D the key of the moment: the 4th is in the key\n12 | Dm7        # iv7 from the parallel minor: Dorian, its notes\n\nsection: B2\n1  | AMaj7      # tonic: the 4th is in the key\n2  | Abm6       # a minor sixth chord: Dorian\n3  | GMaj7      # ♭VIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n4  | F#7b9      # V7\u002Fii in A: the b13 is in the key, the b9 from the symbol\n5  | Bm         # ii: Dorian, the key’s own notes\n6  | EbMaj7\u002FBb  # a non-tonic major chord: Lydian\n7  | AMaj7#5    # from the symbol: #5\n8  | G#7        # tritone substitute: resolves down a half step to G13\n9  | G13        # tritone substitute: resolves down a half step to F#7#9#5\n10 | F#7#9#5    # tritone substitute: resolves down a half step to F9; b9, #9 and b13 from the symbol\n11 | F9         # tritone substitute: resolves down a half step to E7b9\n12 | E7b9       # V7 of A: the b9 from the symbol\n13 | AMaj7      # tonic: the 4th is in the key\n14 | Em7        # a borrowed minor chord: Dorian, its own key\n15 | AMaj7      # tonic: the 4th is in the key\n16 | Em7        # a borrowed minor chord: Dorian, its own key\n",1793575906244]