[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:young-at-heart":3},"title: Young At Heart\ncomposer: Johnny Richards\nstyle: Ballad\nkey: Bb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1 | BbMaj7  # tonic: the 4th is in the key\n2 | BbMaj7\n2 | Dbdim7  # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n3 | Cm7     # ii of F7: Dorian\n4 | Cm7\n5 | F7      # V7\u002FI in Bb: natural tensions\n5 | Cm7     # ii of F7: Dorian\n6 | F7      # V7\u002FI in Bb: natural tensions\n6 | F7#5    # V7 of Bb: #11 and b13 from the symbol\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | BbMaj7\n\nsection: B\n1 | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n2 | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n3 | Gm7     # ii of C7: Dorian\n3 | C7      # V7\u002FV in Bb: natural tensions\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n5 | F7      # V7 in Bb, not resolving: natural tensions\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | Bb6     # tonic: the 4th is in the key\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: C\n1 | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n2 | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n3 | Gm7     # ii of C7: Dorian\n3 | C7      # V7\u002FV in Bb: natural tensions\n4 | EbMaj7  # IV: the #4 is the key’s 7th\n4 | Ebm6    # a minor sixth chord: Dorian\n5 | BbMaj7  # tonic: the 4th is in the key\n5 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | Bb      # tonic: the 4th is in the key\n7 | Bb\u002FD    # tonic: the 4th is in the key\n7 | Eb6     # IV: the #4 is the key’s 7th\n7 | Edim    # vii°7 to Cm\u002FF, up to its bass: C7♭9 without its root\n8 | Cm\u002FF    # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n8 | Bb6     # tonic: the 4th is in the key\n",1793575906217]