[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:young-and-foolish":3},"title: Young And Foolish\ncomposer: Albert Hague\nstyle: Ballad\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7    # tonic: the 4th is in the key\n1 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7      # ii of the ii–V to C\n2 | G7       # V7 of C: natural tensions\n3 | CMaj7    # tonic: the 4th is in the key\n4 | Gm7      # ii of the ii–V to F\n4 | C7       # V7\u002FIV in C: natural tensions\n5 | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n6 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7b9     # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n7 | Dm7      # ii of G7sus: Dorian\n8 | G7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | G7       # V7 of C: natural tensions\n\nsection: B\n1 | CMaj7    # tonic: the 4th is in the key\n2 | Ebdim7   # vii°7 to C\u002FE, up to its bass: B7♭9 without its root\n3 | C\u002FE      # tonic: the 4th is in the key\n3 | E7b13    # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am7      # ii of D7: Dorian\n5 | Am7\n6 | D7       # V7\u002FV in C: natural tensions\n7 | Dm7      # ii of the ii–V to C\n8 | G7       # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7    # tonic: the 4th is in the key\n1 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7      # ii of the ii–V to C\n2 | G7       # V7 of C: natural tensions\n3 | CMaj7    # tonic: the 4th is in the key\n4 | Gm7      # ii of the ii–V to F\n4 | C7       # V7\u002FIV in C: natural tensions\n5 | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n6 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7b9     # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n7 | Dm7      # ii of G7sus: Dorian\n8 | G7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8 | G7       # V7 of C: natural tensions\n\nsection: C\n1 | CMaj7    # tonic: the 4th is in the key\n2 | E7b13    # V7\u002Fvi in C: b9 and b13 are in the key\n3 | Am7      # ii of D7: Dorian\n4 | D7       # V7\u002FV in C: natural tensions\n4 | D#dim7   # vii°7 to CMaj7\u002FE, up to its bass: B7♭9 without its root\n5 | CMaj7\u002FE  # tonic: the 4th is in the key\n5 | A7b13    # V7\u002Fii in C: the b13 is in the key\n6 | Dm7      # ii of the ii–V to C\n6 | G7       # V7 of C: natural tensions\n7 | C6       # tonic: the 4th is in the key\n8 | Dm7      # ii of the ii–V to C\n8 | G7       # V7 of C: natural tensions\n",1793575906209]