[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:youll-never-believe":3},"title: You'll Never Believe…\nsubtitle: Medium up swing\ncomposer: Stefan Karlsson\nstyle: Medium up\nkey: Eb\nform: ABCD, 43 bars\nrecording: Stefan Karlsson; Below Zero; Justice; 1993\nyoutube: 4KuOUeMhFSo\n# analysis: 2026-10-19, rules v2; Eb\n# recording: Stefan Karlsson with Rufus Reid, Marvin \"Smitty\" Smith, Rich Perry (tenor sax on some tracks), Justice JR 0703-2 (Discogs ℗ 1993; Karlsson's own site gives 1994); the first recording of it, the composer leading: it is not on his two earlier Justice albums (Discogs, stefankarlssonjazz.com); video: \"Provided to YouTube by Virgin Music Group\", Below Zero, the same take\n\n# bar | chord | scale\n\nsection: A\n# area: Eb major (A 1–11)\n1  | EbMaj7   # tonic: the 4th is in the key\n2  | A7#11    # tritone substitute: resolves down a half step to AbMaj7\n3  | AbMaj7   # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n4  | Db7      # back door bVII7 to EbMaj7: the #11 is in the key\n5  | EbMaj7   # tonic: the 4th is in the key\n6  | A7#11    # tritone substitute: resolves down a half step to AbMaj7\n7  | AbMaj7   # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n8  | Dm7b5    # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7       # V7\u002Fvi in Eb: b9 and b13 are in the key\n9  | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Cm7\u002FBb   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Am7      # a borrowed minor chord: Dorian, its own key\n# area: Gb major (A 12 – B 6)\n12 | Abm7     # ii of the ii–V to Gb\n12 | Db7      # V7 of Gb: natural tensions\n\nsection: B\n1  | GbMaj7   # tonic: the 4th is in the key\n2  | C7#11    # tritone substitute: resolves down a half step to CbMaj7\n3  | CbMaj7   # the C7#11 before it makes Cb the key of the moment: the 4th is in the key\n4  | Fm7b5    # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Bb7      # V7\u002Fvi in Gb: b9 and b13 are in the key\n5  | Ebm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Ebm7\u002FDb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Bb major (B 7 – C 6)\n7  | Cm7      # ii of the ii–V to Bb\n8  | F7       # V7 of Bb: natural tensions\n\nsection: C\n1  | BbMaj7   # tonic: the 4th is in the key\n2  | G7       # V7\u002Fii in Bb: the b13 is in the key\n3  | Cm7      # ii: Dorian, the key’s own notes\n4  | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9     # V7\u002Fvi in Bb: b9 and b13 are in the key\n5  | Gm7      # ii of the ii–V to F minor\n6  | C7#11    # V7\u002Fv in Bb: the #11 from the symbol\n# area: Eb major (C 7 – D 15)\n7  | Fm7      # ii of the ii–V to Eb\n8  | Bb7      # V7 of Eb: natural tensions\n\nsection: D\nbars: 16\n1  | EbMaj7   # tonic: the 4th is in the key\n2  | A7#11    # tritone substitute: resolves down a half step to AbMaj7\n3  | AbMaj7   # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n4  | Db7      # back door bVII7 to EbMaj7: the #11 is in the key\n5  | EbMaj7   # tonic: the 4th is in the key\n6  | A7#11    # tritone substitute: resolves down a half step to AbMaj7\n7  | AbMaj7   # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n8  | Dm7b5    # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7       # V7\u002Fvi in Eb: b9 and b13 are in the key\n9  | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Cm7\u002FBb   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Am7b5    # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | D7       # V7\u002Fiii in Eb: b9 and b13 are in the key\n12 | Abm7     # ii of Db7: Dorian\n12 | Db7      # extended ii–V: a side-step, its own key\n13 | G7       # V7 of C7, on the way to F minor: b9 and b13 are in the key\n13 | C7       # V7 of F minor, the chain's last link: b9 and b13 are in the key\n14 | Fm7      # ii of Bb7: Dorian\n14 | Bb7      # V7\u002FI in Eb: natural tensions\n15 | EMaj7    # ♭IImaj7, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n",1793484804753]