[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-turned-the-tables-on-me":3},"title: You Turned The Tables on Me\ncomposer: Louis Alter\nstyle: Medium Swing\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Gm7     # ii: Dorian, the key’s own notes\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Abdim7  # passing diminished: a rootless dominant ♭9\n13 | Gm7     # ii: Dorian, the key’s own notes\n14 | G#dim7  # vii°7 of Am7: E7♭9 without its root\n15 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n16 | Gm7     # ii: Dorian, the key’s own notes\n16 | D7      # V7\u002Fii in F: the b13 is in the key\n\nsection: B\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Dm7     # ii of the ii–V to C minor\n4  | G7      # V7\u002Fv in F: natural tensions\n5  | Cm7     # ii of the ii–V to Bb\n6  | F7      # V7\u002FIV in F: natural tensions\n7  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8  | BbMaj7\n9  | Bbm6    # a minor sixth chord: Dorian\n10 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n11 | FMaj7   # tonic: the 4th is in the key\n12 | Abdim7  # passing diminished: a rootless dominant ♭9\n13 | Gm7     # ii: Dorian, the key’s own notes\n13 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n16 | F6\n",1793575906165]