[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-taught-my-heart-to-sing":3},"title: You Taught My Heart To Sing\ncomposer: McCoy Tyner\nstyle: Ballad\nkey: Ab\nform: AABC, 29 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A\n# area: Ab major (A 1–8)\n1 | AbMaj9   # tonic: the 4th is in the key\n1 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n2 | AbMaj9   # tonic: the 4th is in the key\n2 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n3 | AbMaj9   # tonic: the 4th is in the key\n3 | Gm7b5    # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | C7       # V7\u002Fvi in Ab: b9 and b13 are in the key\n4 | Fm7      # ii of Bb7#11: Dorian\n4 | Bb7#11   # V7\u002FV in Ab: the #11 from the symbol\n5 | Bbm7     # ii of the ii–V to Ab\n5 | Eb7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n6 | AbMaj9   # tonic: the 4th is in the key\n6 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n7 | AbMaj9   # tonic: the 4th is in the key\n7 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n8 | AbMaj9   # tonic: the 4th is in the key\n# area: F# minor (A 8 – B 2)\n8 | G7       # tritone substitute: resolves down a half step to F#m7\n@ending 1 7\n@ending 2 8\n\nsection: B\n1 | F#m7     # tonic minor: Dorian by convention\n1 | Bm7      # iv: Dorian, the key’s own notes\n2 | G#m7     # a borrowed minor chord: Dorian, its own key\n2 | C#m7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: F major (B 3–4)\n3 | Gm7      # ii of the ii–V to F\n3 | C7       # V7 of F: natural tensions\n4 | FMaj7    # tonic: the 4th is in the key\n# area: G major (B 5–6)\n5 | Am7      # ii of the ii–V to G\n5 | D7       # V7 of G: natural tensions\n6 | GMaj7    # tonic: the 4th is in the key\n6 | F#       # a non-tonic major chord: Lydian\n6 | B7       # III7 in G, not resolving: b9 and b13 are in the key\n# area: Ab major (B 7 – C 7)\n7 | Fm7      # ii of Bb7: Dorian\n7 | Bb7      # V7\u002FV in Ab: natural tensions\n8 | Bbm7     # ii of the ii–V to Ab\n8 | Eb7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: C\n1 | AbMaj9   # tonic: the 4th is in the key\n1 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n2 | AbMaj9   # tonic: the 4th is in the key\n2 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n3 | AbMaj9   # tonic: the 4th is in the key\n3 | Gm7b5    # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | C7       # V7\u002Fvi in Ab: b9 and b13 are in the key\n4 | Fm7      # ii of Bb7#11: Dorian\n4 | Bb7#11   # V7\u002FV in Ab: the #11 from the symbol\n5 | Bbm7     # ii of the ii–V to Ab\n5 | Eb7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n6 | AbMaj9   # tonic: the 4th is in the key\n6 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n7 | AbMaj9   # tonic: the 4th is in the key\n7 | Bbm7\u002FAb  # ii: Dorian, the key’s own notes\n",1793575906142]