[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-must-believe-in-spring":3},"title: You Must Believe In Spring\ncomposer: Michel Legrand\nstyle: Ballad\nkey: Cm\nform: ABC, 26 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A\n# area: C minor (A 1)\n1  | C#m7b5     # iiø7 of F#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | F#7b9      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n# area: B minor (A 2–6)\n2  | F#7b9\u002FB    # V7 of B minor: b9 and b13 are in the key\n2  | Bm7        # tonic minor: Dorian by convention\n3  | Em7        # ii of A7: Dorian\n3  | A7         # V7\u002FbIII in B minor: natural tensions\n4  | A7b9\u002FD     # V7\u002FbIII in B minor: the b9 from the symbol\n4  | DMaj7      # bIII of B minor: the relative major itself\n5  | G#m7b5     # iiø7 of C#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C#7b9      # V7\u002Fv in B minor: b9 and b13 are in the key\n6  | F#m7b5     # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9       # V7\u002Fiv in B minor: the b13 is in the key, the b9 from the symbol\n# area: D major (A 7 – B 6)\n7  | Em7        # ii of the ii–V to D\n7  | A7         # V7 of D: natural tensions\n8  | DMaj7      # tonic: the 4th is in the key\n8  | G#7#5      # V7\u002Fvii in D: b9 and b13 are in the key, the #11 from the symbol\nalt 8  | DMaj7      # tonic: the 4th is in the key\nalt 8  | C#m7b5     # iiø7 of F#7: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 8  | F#7        # V7\u002Fvi in D: b9 and b13 are in the key\n\nsection: B\n1  | C#m7b5     # iiø7 of F#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | F#7b9      # V7\u002Fvi in D: b9 and b13 are in the key\n2  | F#7b9\u002FB    # V7\u002Fvi in D: b9 and b13 are in the key\n2  | Bm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Em7        # ii of A7: Dorian\n3  | A7         # V7\u002FI in D: natural tensions\n4  | A7b9\u002FD     # V7 of D: the b9 from the symbol\n4  | DMaj7      # tonic: the 4th is in the key\n5  | G#m7b5     # iiø7 of C#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C#7b9      # V7\u002Fiii in D: b9 and b13 are in the key\n6  | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9       # V7\u002Fbiii in D: the #11 is in the key, the b9 from the symbol\n# area: C minor (B 7 – C 6)\n7  | Fm7        # ii of the ii–V to Eb\n7  | Bb7        # V7\u002FbIII in C minor: natural tensions\n8  | EbMaj7     # bIII of C minor: the relative major itself\n8  | A7#5       # V7\u002Fii in C minor: b9 and b13 are in the key, the #11 from the symbol\nalt 8  | EbMaj7     # bIII of C minor: the relative major itself\nalt 8  | Dm7b5      # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 8  | G7         # V7\u002Fi in C minor: b9 and b13 are in the key\n\nsection: C\n1  | Dm7b5      # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | G7b9       # V7\u002Fi in C minor: b9 and b13 are in the key\n2  | G7b9\u002FC     # V7 of C minor: b9 and b13 are in the key\n2  | Cm7        # tonic minor: Dorian by convention\n3  | Fm7        # ii of Bb7: Dorian\n3  | Bb7        # V7\u002FbIII in C minor: natural tensions\n4  | Bb7b9\u002FEb   # V7\u002FbIII in C minor: the b9 from the symbol\n4  | EbMaj7     # bIII of C minor: the relative major itself\n5  | Am7b5      # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | D7b9       # V7\u002Fv in C minor: b9 and b13 are in the key\n6  | Gm7b5      # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9       # V7\u002Fiv in C minor: the b13 is in the key, the b9 from the symbol\n# area: Eb major (C 7–8)\n7  | Fm7        # ii of the ii–V to Eb\n7  | Bb7        # V7 of Eb: natural tensions\n8  | EbMaj7     # tonic: the 4th is in the key\n8  | AbMaj7#11  # from the symbol: #11\n# area: C minor (C 9–10)\n9  | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | G7b9       # V7 of C minor: b9 and b13 are in the key\n10 | Cm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n",1793575906117]