[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-made-me-love-you":3},"title: You Made Me Love You\ncomposer: James Monaco\nstyle: Medium Swing\nkey: C\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n1  | CMaj7   # tonic: the 4th is in the key\n1  | F7#11   # tritone substitute: resolves down a half step to Em7\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n3  | Dm7     # ii of G7: Dorian\n3  | G7      # V7\u002FI in C: natural tensions\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\n5  | Dm7     # ii of G7: Dorian\n5  | G7      # V7\u002FI in C: natural tensions\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n8  | C6\n9  | A7      # extended dominant: V7 of D7\n10 | A7\n11 | D7      # static dominant: its own mode\n12 | D7\n13 | D7\n14 | D7\n15 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n1  | F7#11   # tritone substitute: resolves down a half step to Em7\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n3  | Dm7     # ii of G7: Dorian\n3  | G7      # V7\u002FI in C: natural tensions\n4  | Dm7     # ii of G7: Dorian\n4  | G7      # V7\u002FI in C: natural tensions\n5  | Dm7     # ii of G7: Dorian\n5  | G7      # V7\u002FI in C: natural tensions\n6  | G7\n6  | F7      # tritone substitute: resolves down a half step to E7\n7  | E7      # extended dominant: V7 of A7\n8  | E7\n9  | A7      # extended dominant: V7 of D7\n10 | A7\n11 | D7      # II7 in C, not resolving: natural tensions\n12 | D7\n12 | D#dim7  # vii°7 of Em7: B7♭9 without its root\n13 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n14 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n16 | Dm7     # ii of the ii–V to C\n16 | G7      # V7 of C: natural tensions\n",1793575906095]