[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-go-to-my-head":3},"title: You Go to My Head\ncomposer: J. Fred Coots\nstyle: Ballad\nkey: Eb\nform: AABCD, 40 bars\nrecording: Billie Holiday; Billie Holiday Sings; Columbia; 1950\nyoutube: UJpo6E-XhGs\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1938-05-11, NYC, Billie Holiday and Her Orchestra (Charlie Shavers, Buster Bailey, Babe Russin, Claude Thornhill, John Kirby, Cozy Cole), take 22921-1; first issued on 78 (Vocalion 4126), first LP the 10\" Columbia CL 6129 (1950); songbook standard (1938) → Holiday's reading is the reference, over Coleman Hawkins (1946); sources: jazzdisco; video: \"Provided to YouTube by Legacy\u002FColumbia\", Billie Holiday Love Songs, \"You Go to My Head (Take 1)\", the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: Eb major (A1 1)\n1 | EbMaj7  # tonic: the 4th is in the key\n# area: Gb major (A1 2–5)\n2 | Abm7    # ii of the ii–V to Gb\n2 | Db7     # V7 of Gb: natural tensions\n3 | GbMaj7  # tonic: the 4th is in the key\n4 | F7      # V7 of Bb7, on the way to Eb minor: b9 and b13 are in the key\n4 | Bb7     # V7 of Eb minor, the chain's last link: b9 and b13 are in the key\n5 | Ebm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Eb major (A1 6 – A2 1)\n6 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7b9   # V7 of Eb: the b9 from the symbol\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n# area: Gb major (A2 2–5)\n2 | Abm7    # ii of the ii–V to Gb\n2 | Db7     # V7 of Gb: natural tensions\n3 | GbMaj7  # tonic: the 4th is in the key\n4 | F7      # V7 of Bb7, on the way to Eb minor: b9 and b13 are in the key\n4 | Bb7     # V7 of Eb minor, the chain's last link: b9 and b13 are in the key\n5 | Ebm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Eb major (A2 6 – B 4)\n6 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | D7b9    # VII7 in Eb, not resolving: b9 and b13 are in the key\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n# area: G major (B 5–6)\n5 | Am7     # ii of the ii–V to G\n5 | D7b9    # V7 of G: the b9 from the symbol\n6 | GMaj7   # tonic: the 4th is in the key\n6 | G#dim7  # vii°7 of Am7: E7♭9 without its root\n# area: Eb major (B 7 – C 1)\n7 | Am7     # ii of the ii–V to G minor\n7 | D7alt   # from the symbol: altered\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Gbm7    # a borrowed minor chord: Dorian, its own key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n# area: Gb major (C 2–5)\n2 | Abm7    # ii of the ii–V to Gb\n2 | Db7     # V7 of Gb: natural tensions\n3 | GbMaj7  # tonic: the 4th is in the key\n4 | F7      # V7 of Bb7, on the way to Eb minor: b9 and b13 are in the key\n4 | Bb7     # V7 of Eb minor, the chain's last link: b9 and b13 are in the key\n5 | Ebm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Eb major (C 6 – D 7)\n6 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7b9   # V7\u002FIV in Eb: the b9 from the symbol\n\nsection: D\nbars: 8\n1 | AbMaj7  # the Eb7b9 before it makes Ab the key of the moment: the 4th is in the key\n2 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7b9's dominant (Fm7 its ii)\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7b9   # V7 of Eb: the b9 from the symbol\n7 | EbMaj7  # tonic: the 4th is in the key\n",1793484804740]