[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-dont-know-what-love-is":3},"title: You Don't Know What Love Is\ncomposer: Don Raye, DePaul\nstyle: Ballad\nkey: Fm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n# area: F minor (A1 1–6)\n1  | Fm7     # tonic minor: Dorian by convention\n2  | Db7     # tritone substitute: resolves down a half step to C7b9\n2  | C7b9    # V7 of F minor: b9 and b13 are in the key\n3  | Fm7     # tonic minor: Dorian by convention\n3  | C7b9    # V7 of the Fm7 before it: b9 and b13 are in the key\n4  | Db7     # bVI7 in F minor, not resolving: the #11 is in the key\n5  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C7b9    # V7 of F minor: b9 and b13 are in the key\n6  | Fm7     # tonic minor: Dorian by convention\n# area: Eb minor (A1 6–9)\n6  | E7      # tritone substitute: resolves down a half step to Ebm7\n6  | Ebm7    # tonic minor: Dorian by convention\n6  | D7      # tritone substitute: resolves down a half step to Db7\n7  | Db7     # bVII7 in Eb minor, not resolving: natural tensions\n8  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n9  | Db7     # tritone substitute: resolves down a half step to C7b9\n# area: F minor (A1 9–10)\n9  | C7b9    # V7 of F minor: b9 and b13 are in the key\n10 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: Ab major (B 1–4)\n1  | Bbm7    # ii of the ii–V to Ab\n1  | Eb7     # V7 of Ab: natural tensions\n2  | AbMaj7  # tonic: the 4th is in the key\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n# area: C major (B 5–7)\n5  | Dm7     # ii of the ii–V to C\n5  | G7      # V7 of C: natural tensions\n6  | CMaj7   # tonic: the 4th is in the key\n7  | Db7     # tritone substitute: resolves down a half step to C7b9\n# area: F minor (B 8 – A2 6)\n8  | C7b9    # V7 of F minor: b9 and b13 are in the key\n\nsection: A2\n1  | Fm7     # tonic minor: Dorian by convention\n2  | Db7     # tritone substitute: resolves down a half step to C7b9\n2  | C7b9    # V7 of F minor: b9 and b13 are in the key\n3  | Fm7     # tonic minor: Dorian by convention\n3  | C7b9    # V7 of the Fm7 before it: b9 and b13 are in the key\n4  | Db7     # bVI7 in F minor, not resolving: the #11 is in the key\n5  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C7b9    # V7 of F minor: b9 and b13 are in the key\n6  | Fm7     # tonic minor: Dorian by convention\n# area: Eb minor (A2 6–7)\n6  | E7      # tritone substitute: resolves down a half step to Ebm7\n6  | Ebm7    # tonic minor: Dorian by convention\n6  | D7      # tritone substitute: resolves down a half step to Db7\n7  | Db7     # tritone substitute: resolves down a half step to C7b9\n# area: F minor (A2 7–8)\n7  | C7b9    # V7 of F minor: b9 and b13 are in the key\n8  | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n",1793575905990]