[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-do-something-to-me":3},"title: You Do Something To Me\ncomposer: Cole Porter\nstyle: Medium Up Swing\nkey: Eb\nform: ABC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | Eb6     # tonic: the 4th is in the key\n2  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\nalt 2  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n3  | Eb6     # tonic: the 4th is in the key\n4  | Eb6\nalt 4  | Fm7     # ii: Dorian, the key’s own notes\nalt 4  | Eb6     # tonic: the 4th is in the key\nalt 4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\nalt 6  | Eb6\nalt 6  | Edim7   # vii°7 of Fm7: C7♭9 without its root\n7  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Fm7     # ii: Dorian, the key’s own notes\n10 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\nalt 10 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n11 | Fm7     # ii: Dorian, the key’s own notes\n12 | C7b9    # extended dominant: V7 of F7; b9 from the symbol\n13 | F7      # II7 in Eb, not resolving: natural tensions\n14 | F7\n15 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\n\nsection: B\n1  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Gbdim7  # passing diminished: a rootless dominant ♭9\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | Edim7   # passing diminished: F#7♭9 without its F#, the B7's dominant; not functioning diatonically: the symmetric scale\n5  | F#m7    # ii of B7: Dorian\n5  | B7      # extended ii–V: a side-step, its own key\nalt 5  | F#m7    # a borrowed minor chord: Dorian, its own key\nalt 5  | B6\u002FD#   # ♭VI6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\nalt 5  | B7      # ♭VI7 from the parallel minor: Lydian Dominant\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\nalt 6  | Fm7     # ii of Bb7\u002FD: Dorian\nalt 6  | Bb7\u002FD   # V7\u002FI in Eb: natural tensions\nalt 6  | Bb7     # V7 in Eb, not resolving: natural tensions\n7  | F#m7    # ii of B7: Dorian\n7  | B7      # extended ii–V: a side-step, its own key\nalt 7  | F#m7    # a borrowed minor chord: Dorian, its own key\nalt 7  | Ab6\u002FC   # IV: the #4 is the key’s 7th\nalt 7  | B7      # ♭VI7 from the parallel minor: Lydian Dominant\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1  | Eb6     # tonic: the 4th is in the key\n2  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\nalt 2  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n3  | Eb6     # tonic: the 4th is in the key\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n5  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575905979]