[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:you-better-go-now":3},"title: You Better Go Now\ncomposer: Reichner, Graham\nstyle: Medium Swing\nkey: Eb\nform: ABC, 24 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n2 | EbMaj7  # tonic: the 4th is in the key\n2 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n6 | EbMaj7  # tonic: the 4th is in the key\n6 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n7 | Fm7     # ii of Bb7: Dorian\n7 | Bb7     # V7\u002FI in Eb: natural tensions\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | Eb      # tonic: the 4th is in the key\n3 | Fm7     # ii: Dorian, the key’s own notes\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Ab      # IV: the #4 is the key’s 7th\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n7 | F7      # II7 in Eb, not resolving: natural tensions\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n2 | EbMaj7  # tonic: the 4th is in the key\n2 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n3 | Fm7     # ii of Bb7: Dorian\n3 | Bb7     # V7\u002FI in Eb: natural tensions\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575905923]