[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:wrap-your-troubles-in-dreams":3},"title: Wrap Your Troubles In Dreams\ncomposer: Harry Barris\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7    # tonic: the 4th is in the key\n1 | F7       # tritone substitute: resolves down a half step to Em7\n2 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7       # V7\u002Fii in C: the b13 is in the key\n3 | Dm7      # ii: Dorian, the key’s own notes\n3 | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | C7       # V7\u002FIV in C: natural tensions\n5 | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n5 | F#dim7   # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n6 | CMaj7\u002FG  # tonic: the 4th is in the key\n6 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\n7 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n7 | G7       # V7 of C: natural tensions\n8 | CMaj7    # tonic: the 4th is in the key\n8 | G7       # V7 of C: natural tensions\n9 | CMaj7    # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | F#7      # extended dominant: each one falls a fifth into the next: natural tensions\n1 | B7       # extended dominant: each one falls a fifth into the next: natural tensions\n2 | E7       # extended dominant: each one falls a fifth into the next: natural tensions\n2 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\n3 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n3 | G7       # V7 of C: natural tensions\n4 | CMaj7    # tonic: the 4th is in the key\n5 | F#7      # extended dominant: each one falls a fifth into the next: natural tensions\n5 | B7       # extended dominant: each one falls a fifth into the next: natural tensions\n6 | E7       # extended dominant: each one falls a fifth into the next: natural tensions\n6 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\n7 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n7 | G7       # V7 of C: natural tensions\n8 | CMaj7    # tonic: the 4th is in the key\n8 | G7       # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7    # tonic: the 4th is in the key\n1 | F7       # tritone substitute: resolves down a half step to Em7\n2 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7       # V7\u002Fii in C: the b13 is in the key\n3 | Dm7      # ii: Dorian, the key’s own notes\n3 | E7       # V7\u002Fvi in C: b9 and b13 are in the key\n4 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | C7       # V7\u002FIV in C: natural tensions\n5 | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n5 | F#dim7   # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n6 | CMaj7\u002FG  # tonic: the 4th is in the key\n6 | A7       # extended dominant: each one falls a fifth into the next: natural tensions\n7 | D7       # V7 of V7: the dominant of the dominant: natural tensions\n7 | G7       # V7 of C: natural tensions\n8 | CMaj7    # tonic: the 4th is in the key\n8 | G7       # V7 of C: natural tensions\n",1793575905777]