[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:wouldnt-it-be-loverly":3},"title: Wouldn't It Be Loverly\ncomposer: Frederick Loewe\nstyle: Medium Swing\nkey: G\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 2)\n1  | G6      # tonic: the 4th is in the key\n1  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7     # ii of the ii–V to G\n2  | D7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | G6      # tonic: the 4th is in the key\n3  | Em7     # ii of A7: Dorian\n4  | A7      # V7 of V7: the dominant of the dominant: natural tensions\n4  | D7      # V7 of G: natural tensions\n5  | G6      # tonic: the 4th is in the key\n5  | D7\u002FF#   # V7 of the G6 before it: natural tensions\n6  | Dm6\u002FF   # a minor sixth chord: Dorian\n6  | E7      # VI7 in G, not resolving: the b13 is in the key\n7  | G6\u002FD    # tonic: the 4th is in the key\n7  | Ddim7   # auxiliary diminished: it decorates the chord and returns to it\n8  | Am7\u002FD   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | D7      # V7 of G: natural tensions\n9  | G6\u002FD    # tonic: the 4th is in the key\n9  | D7      # V7 of G: natural tensions\n10 | G6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | DMaj7   # a non-tonic major chord: Lydian\n1  | Ebdim7  # passing diminished: a rootless dominant ♭9\n2  | A7\u002FE    # II7 in G, not resolving: natural tensions\n# area: D major (B 2–4)\n2  | A7      # V7 of D: natural tensions\n3  | DMaj7   # tonic: the 4th is in the key\n3  | F#7\u002FC#  # V7\u002Fvi in D: b9 and b13 are in the key\n4  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: G major (B 4–5)\n4  | D7\u002FA    # V7 of G: natural tensions\n5  | G6      # tonic: the 4th is in the key\n5  | F#7     # V7\u002Fiii in G: b9 and b13 are in the key\n# area: A major (B 6–8)\n6  | Bm7     # ii of the ii–V to A\n6  | E9      # V7 of A: natural tensions\n7  | A6      # tonic: the 4th is in the key\n7  | Ebdim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n8  | Am7\u002FD   # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: G major (B 8 – Coda 3)\n8  | D7      # V7 of G: natural tensions\n\nsection: A2\n1  | G6      # tonic: the 4th is in the key\n1  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7     # ii of the ii–V to G\n2  | D7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | G6      # tonic: the 4th is in the key\n3  | Em7     # ii of A7: Dorian\n4  | A7      # V7 of V7: the dominant of the dominant: natural tensions\n4  | D7      # V7 of G: natural tensions\n5  | G6      # tonic: the 4th is in the key\n5  | D7\u002FF#   # V7 of the G6 before it: natural tensions\n6  | Dm6\u002FF   # a minor sixth chord: Dorian\n6  | E7      # VI7 in G, not resolving: the b13 is in the key\n7  | G6      # tonic: the 4th is in the key\n7  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n9  | G6      # tonic: the 4th is in the key\n10 | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n@coda 10\n\nsection: Coda\n1  | G6      # tonic: the 4th is in the key\n2  | F9      # back door bVII7 to G6: the #11 is in the key\n3  | G6      # tonic: the 4th is in the key\n@coda 1\n",1793575905754]