[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:wives-and-lovers":3},"title: Wives And Lovers\ncomposer: Burt Bacharach\nstyle: Waltz\nkey: Eb\ntime: 3\u002F4\nform: ABABC, 78 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B1 6)\n1  | Fm7     # ii: Dorian, the key’s own notes; the repeat at A2 bar 1 would be F Phrygian\n2  | Bb6     # a non-tonic major chord: Lydian\n3  | Fm7     # ii: Dorian, the key’s own notes; the repeat at A2 bar 3 would be F Phrygian\n4  | Bb6     # a non-tonic major chord: Lydian\n5  | Fm7     # ii: Dorian, the key’s own notes; the repeat at A2 bar 5 would be F Phrygian\n6  | Bb6     # a non-tonic major chord: Lydian\n7  | Fm7     # ii: Dorian, the key’s own notes; the repeat at A2 bar 7 would be F Phrygian\n8  | Bb6     # a non-tonic major chord: Lydian\n9  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note); the repeat at A2 bar 9 would be G Dorian\n10 | C7      # extended ii–V: a side-step, its own key\n11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note); the repeat at A2 bar 11 would be G Dorian\n12 | C7      # extended ii–V: a side-step, its own key\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note); the repeat at A2 bar 13 would be G Dorian\n14 | C7      # extended ii–V: a side-step, its own key\n15 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note); the repeat at A2 bar 15 would be G Dorian\n16 | C7      # extended ii–V: a side-step, its own key\n\nsection: B1\n1  | Cm7     # ii of F7: Dorian\n2  | F7      # V7\u002FV in Eb: natural tensions\n3  | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | EbMaj7\n# area: Db major (B1 7 – A2 16)\n7  | Am7     # ii of D7: Dorian\n8  | D7      # tritone substitute: resolves down a half step to DbMaj7\n9  | DbMaj7  # tonic: the 4th is in the key\n10 | Gm7     # ii of the ii–V to F minor\n11 | C7      # V7\u002Fiii in Db: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C\n1  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bb6     # a non-tonic major chord: Lydian\n3  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bb6     # a non-tonic major chord: Lydian\n5  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bb6     # a non-tonic major chord: Lydian\n7  | Eb6     # a non-tonic major chord: Lydian\n8  | Edim7   # vii°7 of Fm7: C7♭9 without its root\n9  | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bb6     # a non-tonic major chord: Lydian\n11 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Bb6     # a non-tonic major chord: Lydian\n13 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | Bb6     # a non-tonic major chord: Lydian\n15 | EbMaj7  # a non-tonic major chord: Lydian\n16 | C7      # V7\u002Fiii in Db: b9 and b13 are in the key\n17 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n18 | Bb6     # a non-tonic major chord: Lydian\n19 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | Bb6     # a non-tonic major chord: Lydian\n21 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | Bb6     # a non-tonic major chord: Lydian\n23 | Eb6     # a non-tonic major chord: Lydian\n24 | Eb6\n",1793575905678]