[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:witchcraft":3},"title: Witchcraft\ncomposer: Cy Coleman\nstyle: Medium swing\nkey: F\nform: ABC, 40 bars\nrecording: Bill Evans Trio; Portrait in Jazz; Riverside; 1960\nyoutube: ZF9-NjhwgU4\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1959-12-28, Reeves Sound Studios, NYC, Bill Evans with Scott LaFaro and Paul Motian, Riverside RLP 12-315; songbook standard (1957; Sinatra's hit) → Evans's trio reading as the jazz reference; sources: jazzdisco, MusicBrainz; video: \"Provided to YouTube by Universal Music Group\", Portrait In Jazz, \"Witch Craft\", the same take\n# the head is played in 2 (letter B may be in 4); solos in 4\n\n# bar | chord\n\nsection: A\nbars: 16\n# area: F major (A 1–9)\n1  | F6      # tonic: the 4th is in the key\n3  | G#dim7  # passing diminished: G7♭9 without its G, the C9sus4's dominant (Gm7 its ii)\n5  | Gm7     # ii of the ii–V to F\n6  | C9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n7  | FMaj7   # tonic: the 4th is in the key\n# alt (optional): bar 8 (F7)\n9  | BbMaj7  # IV: the #4 is the key’s 7th\n# area: Ab major (A 11–13)\n11 | Eb9     # V7 of Ab: natural tensions\n13 | Ab6     # tonic: the 4th is in the key\n# area: F major (A 14 – C 7)\n14 | G7#5    # V7 of V7: the dominant of the dominant: #11 and b13 from the symbol\n15 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj9   # tonic: the 4th is in the key\n3  | Bb13    # IV7 in F, not resolving: the #11 is in the key\n# alt: bars 3–4 (C9sus4\u002FF)\n5  | FMaj9   # tonic: the 4th is in the key\n7  | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | E7      # V7\u002Fiii in F: b9 and b13 are in the key\n9  | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | F\u002FA     # tonic: the 4th is in the key\n11 | Am6     # a minor sixth chord: Dorian\n12 | F\u002FA     # tonic: the 4th is in the key\n12 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Gm      # ii: Dorian, the key’s own notes\n14 | Eb\u002FG    # ♭VII, borrowed from F minor: Lydian (its ♯11 is in the key)\n15 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: C\nbars: 8\n1  | F6      # tonic: the 4th is in the key\n3  | G#dim7  # passing diminished: G7♭9 without its G, the C9sus4's dominant (Gm7 its ii)\n5  | Gm7     # ii of the ii–V to F\n6  | C9sus4  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n# alt (optional): bar 6, beat 3 (C7)\n7  | F6      # tonic: the 4th is in the key\n# alt (optional): bar 8 (Gm7 C7)\n",1793484804636]