[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:windows":3},"title: Windows\ncomposer: Chick Corea\nstyle: Waltz\nkey: Bm\ntime: 3\u002F4\nform: ABC, 48 bars\n# analysis: 2026-10-31, rules v2; B minor\n\nsection: A\n# area: B minor (A 1 – C 7)\n1  | Bm7        # tonic minor: Dorian by convention\n2  | Bm7\n3  | Bm7\n4  | Bm7\n5  | G#m7b5     # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G#m7b5\n7  | G#m7b5\n8  | C#7        # V7\u002Fv in B minor: b9 and b13 are in the key\n9  | F#m7       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n10 | F#m7\n11 | F#m7\n12 | F#m7\n13 | D7sus      # static sus: Mixolydian\n14 | D7sus\n15 | D7sus\n16 | D7sus\n17 | EMaj7#11   # from the symbol: #11\n18 | EMaj7#11\n19 | EMaj7#11\n20 | EMaj7#11\n21 | EMaj7#11\n22 | EMaj7#11\n23 | EMaj7#11\n24 | EMaj7#11\n\nsection: B\n1  | Ab7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2  | A7         # tritone substitute: resolves down a half step to Ab7\n3  | Ab7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n4  | A7         # tritone substitute: resolves down a half step to Ab7\n5  | Ab7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | A7         # tritone substitute: resolves down a half step to Ab7\n7  | Ab7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | A7         # bVII7 in B minor, not resolving: natural tensions\n\nsection: C\n1  | EMaj7      # a non-tonic major chord: Lydian\n2  | EMaj7\u002FD#   # from the symbol: sus b9\n3  | C#m7       # a borrowed minor chord: Dorian, its own key\n4  | C#m7\u002FB     # a borrowed minor chord: Dorian, its own key\n5  | Bbm7b5     # viiø7 in B minor: Locrian, its own mode (the chord is outside the key)\n6  | Bbm7b5\u002FAb  # iiø7 of Eb7\u002FG: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | Eb7\u002FG      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n# area: Ab minor (C 8–15)\n8  | Eb7        # V7 of Ab minor: b9 and b13 are in the key\n9  | Abm7       # tonic minor: Dorian by convention\n10 | Abm7\u002FGb    # ii of Db7\u002FF: Dorian\n11 | Db7\u002FF      # V7\u002FbVII in Ab minor: natural tensions\n12 | Db7        # IV7 in Ab minor, not resolving: natural tensions\n13 | EMaj7      # a non-tonic major chord: Lydian\n14 | D#m7       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n15 | C#m7       # iv: Dorian, the key’s own notes\n# area: B minor (C 16 – Coda2 4)\n16 | C7#11      # tritone substitute: resolves down a half step to Bm7\n@coda 16\n\nsection: Coda1\n1  | BMaj7      # a non-tonic major chord: Lydian\n2  | BMaj7\n3  | C#m7\u002FB     # a borrowed minor chord: Dorian, its own key\n4  | C#m7\u002FB\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793575905599]