[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:willow-weep-for-me":3},"title: Willow Weep for Me\ncomposer: Ann Ronell\nstyle: Ballad\nkey: G\nform: AABC, 32 bars\nrecording: Red Garland Trio; Groovy; Prestige; 1957\nyoutube: E-Uwj_QQekA\n# analysis: 2026-10-19, rules v2; G\n# recording: recorded 1956-12-14, Van Gelder Studio, Hackensack, Red Garland with Paul Chambers and Art Taylor, Prestige PRLP 7113; songbook standard (1932) → Garland's trio reading as the jazz reference, over Wes Montgomery's (Verve, 1968, overdubbed); sources: jazzdisco, MusicBrainz; video: Prestige Records' official upload of the Groovy track, the same take\n# style: the book says Med. Ballad\n# book: bars 3–4 of A and C may also be played G6 C7 | G6 Db7#5#9\n\n# bar | chord\n\nsection: A\n# area: G major (A 1 – B 2)\n1 | G6      # tonic: the 4th is in the key\n1 | C7      # IV7 in G, not resolving: the #11 is in the key\n2 | G6      # tonic: the 4th is in the key\n2 | C7      # IV7 in G, not resolving: the #11 is in the key\n3 | G6      # tonic: the 4th is in the key\n3 | Am7     # ii of the ii–V to G\n3 | D7      # V7 of G: natural tensions\n4 | G6      # tonic: the 4th is in the key\n4 | Am7     # ii: Dorian, the key’s own notes\n4 | Bbdim7  # vii°7 to G6\u002FB, up to its bass: F#7♭9 without its root\n4 | G6\u002FB    # tonic: the 4th is in the key\n5 | C9      # IV7 in G, not resolving: the #11 is in the key\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7#5    # V7 of G: #11 and b13 from the symbol\n7 | G6      # tonic: the 4th is in the key\n7 | C7      # IV7 in G, not resolving: the #11 is in the key\n8 | G6      # tonic: the 4th is in the key\n8 | D7#5    # V7 of G: #11 and b13 from the symbol\n9 | G6      # tonic: the 4th is in the key\n# alt: bar 9, beats 3–4 (Dm7 G7)\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Cm      # a borrowed minor chord: Dorian, its own key\n1 | Cm6     # a minor sixth chord: Dorian\n2 | Gm      # a borrowed minor chord: Dorian, its own key\n# area: C minor (B 2–8)\n2 | G7      # V7 of C minor: b9 and b13 are in the key\n3 | Cm7     # tonic minor: Dorian by convention\n# alt: bar 3 (Cm7 F7 Bbm7 Eb7)\n3 | Bb7     # bVII7 in C minor, not resolving: natural tensions\n4 | Ab7     # tritone substitute: resolves down a half step to G7\n# alt: bar 4 (Abm7 Db7 Dm7b5 G7)\n4 | G7      # V7 of C minor: b9 and b13 are in the key\n5 | Cm      # tonic minor: Dorian by convention\n5 | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n6 | Gm      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n6 | G7      # V7 of C minor: b9 and b13 are in the key\n7 | Cm7     # tonic minor: Dorian by convention\n# alt: bar 7 (Cm7 F7 Bbm7 Eb7)\n7 | Bb7     # bVII7 in C minor, not resolving: natural tensions\n8 | Ab7     # bVI7 in C minor, not resolving: the #11 is in the key\n# area: G major (B 8 – C 8)\n8 | Am7     # ii of the ii–V to G\n8 | D7#5    # V7 of G: #11 and b13 from the symbol\n\nsection: C\nbars: 11\n1 | G6      # tonic: the 4th is in the key\n1 | C7      # IV7 in G, not resolving: the #11 is in the key\n2 | G6      # tonic: the 4th is in the key\n2 | C7      # IV7 in G, not resolving: the #11 is in the key\n3 | G6      # tonic: the 4th is in the key\n3 | Am7     # ii of the ii–V to G\n3 | D7      # V7 of G: natural tensions\n4 | G6      # tonic: the 4th is in the key\n4 | Am7     # ii: Dorian, the key’s own notes\n4 | Bbdim7  # vii°7 to G6\u002FB, up to its bass: F#7♭9 without its root\n4 | G6\u002FB    # tonic: the 4th is in the key\n5 | C9      # IV7 in G, not resolving: the #11 is in the key\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7#5    # V7 of G: #11 and b13 from the symbol\n7 | G6      # tonic: the 4th is in the key\n7 | C7      # IV7 in G, not resolving: the #11 is in the key\n8 | G6      # tonic: the 4th is in the key\n8 | D7#5    # V7 of G: #11 and b13 from the symbol\n",1793484804625]