[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:wildflower":3},"title: Wildflower\ncomposer: Wayne Shorter\nstyle: Medium swing\nkey: Bb\nform: AB, 32 bars\ntime: 6\u002F4\nrecording: Wayne Shorter; Speak No Evil; Blue Note; 1966\nyoutube: CjGEYuITiVM\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1964-12-24 (Freddie Hubbard, Herbie Hancock, Ron Carter, Elvin Jones), the first recording of it, BLP 4194, released June 1966; titled \"Wild Flower\" on the LP (jazzdisco.org, Wikipedia); video: Rudy Van Gelder Edition remaster, the same take\n# style: the book says Medium Jazz 6\u002F4, quarter = 160\n# a second chord in a bar falls on beat 4, but Cm7 in B bar 1 on beat 3 (drawn on beat 4)\n# the whole form (A and B) is repeated; it ends at the Fine on B bar 15 (D7#9)\n\n# bar | chord\n\nsection: A\n# area: Bb major (A 1–11)\n1  | BbMaj7     # tonic: the 4th is in the key\n2  | Abm9       # a borrowed minor chord: Dorian, its own key\n2  | A7#5#9     # V7\u002FIII in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | D7sus4b9   # from the symbol: sus b9\n5  | BbMaj7     # tonic: the 4th is in the key\n6  | Abm9       # a borrowed minor chord: Dorian, its own key\n6  | A7#5#9     # extended dominant: V7 of D7#9; b9, #9, #11 and b13 from the symbol\n7  | D7#9       # V7\u002FVI in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | G7sus4b9   # from the symbol: sus b9\n10 | Cm7        # ii of the ii–V to Bb\n10 | F13        # V7 of Bb: natural tensions\n11 | BbMaj7#5   # from the symbol: #5\n11 | AbMaj9#11  # from the symbol: #11\n# area: F minor (A 13 – B 9)\n13 | Gm11       # ii of the ii–V to F minor\n14 | C13b9      # V7 of F minor: the b9 is in the key, the 13 from the symbol\n15 | Fm9        # tonic minor: Dorian by convention\n16 | E7#9       # tritone substitute: resolves down a half step to EbMaj7; b9 and #9 from the symbol\n\nsection: B\nbars: 16\n1  | EbMaj7     # ♭VII of F minor: E♭ major, the notes of F Dorian\n1  | Cm7        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2  | Abm9       # a borrowed minor chord: Dorian, its own key\n2  | A7#5#9     # V7\u002FVI in F minor: #11 and b13 are in the key, b9 and #9 from the symbol\n3  | D7sus4b9   # from the symbol: sus b9\n5  | BbMaj7     # a non-tonic major chord: Lydian\n6  | Abm9       # a borrowed minor chord: Dorian, its own key\n6  | A7#5#9     # extended dominant: V7 of D7#9; b9, #9, #11 and b13 from the symbol\n7  | D7#9       # V7\u002FII in F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | G7sus4b9   # from the symbol: sus b9\n# area: Bb major (B 10–11)\n10 | Cm7        # ii of the ii–V to Bb\n10 | F13        # V7 of Bb: natural tensions\n11 | BbMaj7#5   # from the symbol: #5\n# area: Ab major (B 11–15)\n11 | Bbm11      # ii of the ii–V to Ab\n# Bbm11 holds through beats 1–3 of bar 12; Eb13 on beat 4\n12 | Bbm11\n12 | Eb13       # V7 of Ab: natural tensions\n13 | AbMaj7     # tonic: the 4th is in the key\n13 | DbMaj7     # IV: the #4 is the key’s 7th\n14 | Abm9       # a borrowed minor chord: Dorian, its own key\n14 | Eb9#11     # tritone substitute: resolves down a half step to D7#9\n15 | D7#9       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b9 and #9 from the symbol\n@nav 15 Fine\n",1793484804618]