[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:who-can-i-turn-to":3},"title: Who Can I Turn To?\ncomposer: Leslie Bricusse, Anthony Newley\nstyle: Ballad\nkey: Eb\nform: AB, 32 bars\nrecording: Bill Evans Trio; Trio '65; Verve; 1965\nyoutube: 0B_MjD3qDjM\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1965-02-03, Van Gelder Studio, Englewood Cliffs, with Chuck Israels, Larry Bunker, Verve V\u002FV6-8613, also a single (VK-10360); the instrumental jazz reference, the one new tune on the album, which stayed in Evans's repertoire; over Tony Bennett's 1964 hit single (Columbia) (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Trio 65, the same take (not the Town Hall or later live versions)\n# style: the book says Med. Ballad, also played as Medium Swing\n# book: the first 4 bars of A and B and the last 2 bars of B may be played over a Bb pedal\n\n# bar | chord\n\nsection: A\n1  | Eb69    # tonic: the 4th is in the key\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | Fm7     # ii: Dorian, the key’s own notes\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | AbMaj7  # IV: the #4 is the key’s 7th\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Fm7     # ii: Dorian, the key’s own notes\n# alt: bars 10–11 (G7#5#9 | Cm9)\n10 | D7#9    # V7\u002Fiii in Eb: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | AbMaj7  # IV: the #4 is the key’s 7th\n# alt: bar 13 (Fm7 F#dim7); the melody plays A natural for Ab with it\n13 | Dm7b5   # viiø7 in Eb: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7      # V7\u002Fii in Eb: the b13 is in the key\n15 | Fm7     # ii of the ii–V to Eb\n# alt: bars 15–16 (Fm7 Abm6 | Bm9 E9#11)\n16 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\nbars: 16\n1  | Eb69    # tonic: the 4th is in the key\n3  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n5  | Fm7     # ii: Dorian, the key’s own notes\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | AbMaj7  # IV: the #4 is the key’s 7th\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n11 | Cm9     # ii of F7: Dorian\n12 | F7      # V7\u002FV in Eb: natural tensions\n12 | F#dim7  # vii°7 to Eb\u002FG, up to its bass: D7♭9 without its root\n13 | Eb\u002FG    # tonic: the 4th is in the key\n13 | F#dim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm9 its ii)\n14 | Fm9     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | Eb69    # tonic: the 4th is in the key\n# alt: bars 15–16 (Eb69 F#dim7 | Fm7 Bb7)\n",1793484804595]