[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:whisper-not":3},"title: Whisper Not\ncomposer: Benny Golson\nstyle: Medium\nkey: Cm\nform: AABC, 32 bars\nrecording: Benny Golson; Benny Golson's New York Scene; Contemporary; 1958\nyoutube: M5mpzcVq_CY\n# analysis: 2026-10-19, rules v2; C minor\n# recording: recorded 1957-10-14\u002F17, NYC, Golson with Art Farmer, Wynton Kelly, Paul Chambers, Charlie Persip, Contemporary C3552, the composer's first recording under his own name (released 1958 per jazzdisco; MusicBrainz 1957); first recorded by Dizzy Gillespie's big band live at Birdland, 1956-12-01, Golson in the saxes (issued much later), then the Lee Morgan Sextet, 1956-12-02, in his arrangement (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Benny Golson's New York Scene, the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: C minor (A1 1–3)\n1 | Cm     # tonic minor: Dorian by convention\n1 | Cm\u002FBb  # tonic minor: Dorian by convention\n2 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7b9   # V7\u002Fv in C minor: b9 and b13 are in the key\n3 | Gm     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3 | Gm\u002FF   # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: D minor (A1 4–8)\n4 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9   # V7 of D minor: b9 and b13 are in the key\n5 | Dm     # tonic minor: Dorian by convention\n5 | Bm7b5  # viø7 in D minor: Locrian, its own mode (the chord is outside the key)\n6 | Em     # ii of the ii–V to D minor\n6 | A7b9   # V7 of D minor: b9 and b13 are in the key\n7 | Dm     # tonic minor: Dorian by convention\n7 | Em     # a borrowed minor chord: Dorian, its own key\n8 | Fm     # a borrowed minor chord: Dorian, its own key\n# area: C minor (A1 8 – A2 3)\n8 | G7b9   # V7 of C minor: b9 and b13 are in the key\n\nsection: A2\n1 | Cm     # tonic minor: Dorian by convention\n1 | Cm\u002FBb  # tonic minor: Dorian by convention\n2 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7b9   # V7\u002Fv in C minor: b9 and b13 are in the key\n3 | Gm     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3 | Gm\u002FF   # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: D minor (A2 4 – B 6)\n4 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9   # V7 of D minor: b9 and b13 are in the key\n5 | Dm     # tonic minor: Dorian by convention\n5 | Bm7b5  # viø7 in D minor: Locrian, its own mode (the chord is outside the key)\n6 | Em     # ii of the ii–V to D minor\n6 | A7b9   # V7 of D minor: b9 and b13 are in the key\n7 | Dm     # tonic minor: Dorian by convention\n7 | Em     # a borrowed minor chord: Dorian, its own key\n8 | Fm     # ii of Bb7: Dorian\n8 | Bb7    # extended ii–V: a side-step, its own key\n\nsection: B\n1 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n3 | Gm     # iv: Dorian, the key’s own notes\n4 | Gm\u002FF   # iv: Dorian, the key’s own notes\n5 | Em7b5  # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | A7b9   # V7 of D minor: b9 and b13 are in the key\n# area: C minor (B 7 – C 3)\n7 | Dm7b5  # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7b9   # V7 of C minor: b9 and b13 are in the key\n\nsection: C\n1 | Cm     # tonic minor: Dorian by convention\n1 | Cm\u002FBb  # tonic minor: Dorian by convention\n2 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7b9   # V7\u002Fv in C minor: b9 and b13 are in the key\n3 | Gm     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3 | Gm\u002FF   # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: D minor (C 4–8)\n4 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9   # V7 of D minor: b9 and b13 are in the key\n5 | Dm     # tonic minor: Dorian by convention\n5 | Bm7b5  # viø7 in D minor: Locrian, its own mode (the chord is outside the key)\n6 | Em     # ii of the ii–V to D minor\n6 | A7b9   # V7 of D minor: b9 and b13 are in the key\n7 | Dm     # tonic minor: Dorian by convention\n7 | Dm\u002FC   # tonic minor: Dorian by convention\n8 | Ab7    # tritone substitute: resolves down a half step to G7alt\n# area: C minor (C 8)\n8 | G7alt  # from the symbol: altered\n",1793484804576]