[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:while-were-young":3},"title: While We're Young\ncomposer: Wilder, Palitz\nstyle: Waltz\nkey: Eb\ntime: 3\u002F4\nform: ABAC, 64 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6        # tonic: the 4th is in the key\n2  | Fm7        # ii: Dorian, the key’s own notes\n3  | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Cm7        # ii of F7: Dorian\n5  | F7         # V7 of V7: the dominant of the dominant: natural tensions\n6  | F7\n7  | Bb7        # V7 of Eb: natural tensions\n8  | Bb7\n9  | Eb6        # tonic: the 4th is in the key\n10 | Fm7        # ii: Dorian, the key’s own notes\n11 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Dm7b5\n15 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n16 | G7b9\n\nsection: B\n1  | Cm7        # ii of F7: Dorian\n2  | Cm7\n3  | F7         # V7\u002FV in Eb: natural tensions\n4  | F7\n5  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Cm7\n7  | Db7        # tritone substitute: resolves down a half step to Cm7\n8  | Db7\n9  | Cm7        # ii of F7: Dorian\n10 | Cm7\n11 | F7         # V7\u002FV in Eb: natural tensions\n12 | F7\n13 | Fm7        # ii of the ii–V to Eb\n14 | Fm7\n15 | Bb7        # V7 of Eb: natural tensions\n16 | Bb7\n\nsection: A2\n1  | Eb6        # tonic: the 4th is in the key\n2  | Fm7        # ii: Dorian, the key’s own notes\n3  | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Cm7        # ii of F7: Dorian\n5  | F7         # V7 of V7: the dominant of the dominant: natural tensions\n6  | F7\n7  | Bb7        # V7 of Eb: natural tensions\n8  | Bb7\n9  | Eb6        # tonic: the 4th is in the key\n10 | Fm7        # ii: Dorian, the key’s own notes\n11 | Gm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Dm7b5      # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Dm7b5\n15 | G7b9       # V7\u002Fvi in Eb: b9 and b13 are in the key\n16 | G7b9\n\nsection: C\n1  | Cm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7\n3  | Bbm7       # ii of the ii–V to Ab\n4  | Eb7        # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6  | AbMaj7\n7  | Db7        # back door bVII7 to Eb6\u002FBb: the #11 is in the key\n8  | Db7\n9  | Eb6\u002FBb     # tonic: the 4th is in the key\n10 | Ebdim7\u002FBb  # passing diminished: F7♭9 without its F, the Bb7sus's dominant; not functioning diatonically: the symmetric scale\n11 | Bb7sus     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | Bb7        # V7 of Eb: natural tensions\n13 | Eb6        # tonic: the 4th is in the key\n14 | Eb6\n15 | Fm7        # ii of the ii–V to Eb\n16 | Bb7        # V7 of Eb: natural tensions\n",1793575905455]