[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:where-or-when":3},"title: Where or When\nsubtitle: Medium (10 10 8 12)\ncomposer: Richard Rodgers\nstyle: Medium\nkey: Eb\nform: AABC, 40 bars\nrecording: Ella Fitzgerald; Ella Fitzgerald Sings the Rodgers & Hart Song Book; Verve; 1956\nyoutube: 2eQvGKtOrTs\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded August 1956, with Buddy Bregman & His Orchestra, Verve MG V-4002-2; songbook standard (Babes in Arms, 1937) → Ella's reading as the reference; no instrumental is clearly canonical; sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", the album track, the same take\n\n# bar | chord | scale\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n2  | Ab7     # tritone substitute: resolves down a half step to Gm7\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | EbMaj7  # tonic: the 4th is in the key\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n8  | Abm7    # ii of Db7: Dorian\n8  | Db7     # extended ii–V: a side-step, its own key\n9  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | C7      # V7\u002Fii in Eb: the b13 is in the key\n10 | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n2  | Ab7     # tritone substitute: resolves down a half step to Gm7\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | EbMaj7  # tonic: the 4th is in the key\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\n5  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n8  | Abm7    # ii of Db7: Dorian\n8  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7#5    # V7\u002Fvi in Eb: b9 and b13 are in the key, the #11 from the symbol\n\nsection: B\n1  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7     # ii: Dorian, the key’s own notes\n3  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n5  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # ii: Dorian, the key’s own notes\n7  | Cm11    # ii of F9: Dorian\n7  | F9      # V7\u002FV in Eb: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7b9   # V7 of Eb: the b9 from the symbol\n\nsection: C\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n2  | Ab7     # tritone substitute: resolves down a half step to Gm7\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bbm9    # ii of the ii–V to Ab\n4  | Eb7#5   # V7\u002FIV in Eb: #11 and b13 from the symbol\n5  | AbMaj9  # the Eb7#5 before it makes Ab the key of the moment: the 4th is in the key\n6  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7  | Fm7     # ii: Dorian, the key’s own notes\n8  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n9  | Cm7     # ii of F7: Dorian\n9  | F7      # V7\u002FV in Eb: natural tensions\n10 | Fm7     # ii of the ii–V to Eb\n10 | Bb7     # V7 of Eb: natural tensions\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | Fm7     # ii of the ii–V to Eb\n12 | Bb7     # V7 of Eb: natural tensions\n",1793484804569]