[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:where-is-love":3},"title: Where Is Love?\ncomposer: Lionel Bart\nstyle: Ballad\nkey: C\nform: ABB, 40 bars\nrecording: Irene Kral; Where Is Love?; Choice; 1975\nyoutube: kOmBJ4KBr3Y\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded December 1974, Wally Heider Studios, Los Angeles, Irene Kral with Alan Broadbent (piano), Choice CRS 1012, the title track; a show song from Oliver! (1960) → the jazz reading players know, a duo album often called one of the finest ballad sets on record (Wikipedia, AllMusic); video: \"Provided to YouTube by Redeye Worldwide\", Where Is Love? (Candid reissue), the same take\n# style: the book says Medium Ballad\n# B is repeated (a second verse of lyrics): written out as B1 and B2\n\n# bar | chord\n\nsection: A\n# area: C major (A 1–5)\n1  | C           # tonic: the 4th is in the key\n1  | Dm7         # ii of the ii–V to C\n1  | G7          # V7 of C: natural tensions\n2  | CMaj7       # tonic: the 4th is in the key\n# alt: bar 2, beats 3–4 (Dm7 G7)\n3  | CMaj7\n3  | Dm7         # ii of the ii–V to C\n3  | G7          # V7 of C: natural tensions\n4  | CMaj7       # tonic: the 4th is in the key\n4  | C7          # V7\u002FIV in C: natural tensions\n5  | F           # the C7 before it makes F the key of the moment: the 4th is in the key\n# area: Bb major (A 5–6)\n5  | Cm7         # ii of the ii–V to Bb\n5  | F7          # V7 of Bb: natural tensions\n6  | BbMaj7      # tonic: the 4th is in the key\n# area: Ab major (A 6–7)\n6  | Bbm7        # ii of the ii–V to Ab\n6  | Eb7         # V7 of Ab: natural tensions\n7  | AbMaj7      # tonic: the 4th is in the key\n# area: C major (A 8–13)\n8  | Dm7(add11)  # ii of the ii–V to C\n8  | G7          # V7 of C: natural tensions\n9  | C           # tonic: the 4th is in the key\n9  | Dm7         # ii of the ii–V to C\n9  | G7          # V7 of C: natural tensions\n10 | CMaj7       # tonic: the 4th is in the key\n# alt: bar 10, beats 3–4 (Dm7 G7)\n11 | CMaj7\n11 | Dm          # ii of the ii–V to C\n11 | G7          # V7 of C: natural tensions\n12 | CMaj7       # tonic: the 4th is in the key\n12 | C7          # V7\u002FIV in C: natural tensions\n13 | F           # the C7 before it makes F the key of the moment: the 4th is in the key\n# area: Bb major (A 13–14)\n13 | Cm7         # ii of the ii–V to Bb\n13 | F7          # V7 of Bb: natural tensions\n14 | BbMaj7      # tonic: the 4th is in the key\n# area: Ab major (A 14–15)\n14 | Bbm7        # ii of the ii–V to Ab\n14 | Eb7         # V7 of Ab: natural tensions\n15 | AbMaj7      # tonic: the 4th is in the key\n# area: C major (A 16 – B1 5)\n16 | Dm7(add11)  # ii of the ii–V to C\n16 | G7          # V7 of C: natural tensions\n\nsection: B1\nbars: 12\n1  | C           # tonic: the 4th is in the key\n1  | Dm7         # ii of the ii–V to C\n1  | G7          # V7 of C: natural tensions\n2  | CMaj7       # tonic: the 4th is in the key\n2  | C7          # V7\u002FIV in C: natural tensions\n3  | F           # the C7 before it makes F the key of the moment: the 4th is in the key\n3  | G7          # V7 of C: natural tensions\n4  | CMaj7       # tonic: the 4th is in the key\n4  | C#dim7      # vii°7 of Dm7: A7♭9 without its root\n5  | Dm7         # ii of the ii–V to C\n5  | G7          # V7 of C: natural tensions\n# area: Bb major (B1 6–8)\n6  | CMaj7       # a non-tonic major chord: Lydian\n6  | Cm7         # ii of the ii–V to Bb\n6  | F9          # V7 of Bb: natural tensions\n7  | BbMaj7      # tonic: the 4th is in the key\n8  | AMaj7       # a non-tonic major chord: Lydian\n8  | A7b9        # V7\u002Fiii in Bb: b9 and b13 are in the key\n# area: C major (B1 9 – B2 5)\n9  | Dm7         # ii: Dorian, the key’s own notes\n9  | Am          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Dm7         # ii: Dorian, the key’s own notes\n10 | F\u002FG         # IV: the #4 is the key’s 7th\n10 | G7          # V7 of C: natural tensions\n11 | C           # tonic: the 4th is in the key\n# alt: bars 11–12 (C Am7 | Dm7 G7)\n@key 6 Bb\n@key 9 C\n\nsection: B2\nkey: C\nbars: 12\n1  | C\n1  | Dm7         # ii of the ii–V to C\n1  | G7          # V7 of C: natural tensions\n2  | CMaj7       # tonic: the 4th is in the key\n2  | C7          # V7\u002FIV in C: natural tensions\n3  | F           # the C7 before it makes F the key of the moment: the 4th is in the key\n3  | G7          # V7 of C: natural tensions\n4  | CMaj7       # tonic: the 4th is in the key\n4  | C#dim7      # vii°7 of Dm7: A7♭9 without its root\n5  | Dm7         # ii of the ii–V to C\n5  | G7          # V7 of C: natural tensions\n# area: Bb major (B2 6–8)\n6  | CMaj7       # a non-tonic major chord: Lydian\n6  | Cm7         # ii of the ii–V to Bb\n6  | F9          # V7 of Bb: natural tensions\n7  | BbMaj7      # tonic: the 4th is in the key\n8  | AMaj7       # a non-tonic major chord: Lydian\n8  | A7b9        # V7\u002Fiii in Bb: b9 and b13 are in the key\n# area: C major (B2 9–11)\n9  | Dm7         # ii: Dorian, the key’s own notes\n9  | Am          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Dm7         # ii: Dorian, the key’s own notes\n10 | F\u002FG         # IV: the #4 is the key’s 7th\n10 | G7          # V7 of C: natural tensions\n11 | C           # tonic: the 4th is in the key\n@key 6 Bb\n@key 9 C\n",1793484804562]