[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:when-its-sleepy-time-down-south":3},"title: When It's Sleepy Time Down South\ncomposer: Traditional\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–10)\n1  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n2  | Bb7#11  # back door bVII7 to CMaj7: the #11 is in the key\n3  | CMaj7   # tonic: the 4th is in the key\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n5  | G7      # V7 in C, not resolving: natural tensions\n5  | G7\u002FF    # V7 in C, not resolving: natural tensions\n6  | E7sus   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | E7      # III7 in C, not resolving: b9 and b13 are in the key\n7  | FMaj7   # IV: the #4 is the key’s 7th\n7  | Bb7     # back door bVII7 to C6: the #11 is in the key\n8  | C6      # tonic: the 4th is in the key\n8  | C7      # V7\u002FIV in C: natural tensions\n9  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n9  | Bb7     # back door bVII7 to C6: the #11 is in the key\n10 | C6      # tonic: the 4th is in the key\n# area: E major (A1 10 – A2 3)\n10 | B7      # V7 of E: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | E       # tonic: the 4th is in the key\n1  | EMaj7   # tonic: the 4th is in the key\n2  | E6      # tonic: the 4th is in the key\n2  | Fdim7   # vii°7 of F#m7: C#7♭9 without its root\n3  | F#m7    # ii of the ii–V to E\n3  | B7      # V7 of E: natural tensions\n4  | E       # tonic: the 4th is in the key\n4  | B7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | E       # tonic: the 4th is in the key\n5  | EMaj7   # tonic: the 4th is in the key\n6  | E6      # tonic: the 4th is in the key\n6  | Fdim7   # vii°7 of F#m7: C#7♭9 without its root\n7  | F#m7    # ii of the ii–V to E\n7  | B7      # V7 of E: natural tensions\n8  | E       # tonic: the 4th is in the key\n8  | G7      # ♭III7 from the parallel minor: Lydian Dominant\n\nsection: A2\n1  | FMaj7   # ♭IImaj7, borrowed from E Phrygian: Lydian (its ♯11 is in the key)\n2  | Bb7#11  # back door bVII7 to CMaj7: 9, #11 and 13 from the symbol\n3  | CMaj7   # ♭VImaj7, borrowed from E minor: Lydian (its ♯11 is in the key)\n# area: C major (A2 3–8)\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n5  | G7      # V7 in C, not resolving: natural tensions\n5  | G7\u002FF    # V7 in C, not resolving: natural tensions\n6  | E7sus   # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | E7      # III7 in C, not resolving: b9 and b13 are in the key\n7  | FMaj7   # IV: the #4 is the key’s 7th\n7  | Bb7     # back door bVII7 to C6: the #11 is in the key\n8  | C6      # tonic: the 4th is in the key\n8  | C7      # V7\u002FIV in C: natural tensions\n",1793575905334]