[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:when-i-fall-in-love":3},"title: When I Fall In Love\ncomposer: Victor Young\nstyle: Ballad\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | C7      # V7\u002Fii in Eb: the b13 is in the key\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | C7      # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | Ab7     # tritone substitute: resolves down a half step to G7b9\n6 | G7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n6 | C7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | C7      # V7\u002Fii in Eb: the b13 is in the key\nalt 1 | EbMaj7  # tonic: the 4th is in the key\nalt 1 | A7      # tritone substitute: resolves down a half step to AbMaj7\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\nalt 2 | AbMaj7  # the A7 before it makes Ab the key of the moment: the 4th is in the key\nalt 2 | Abm6    # a minor sixth chord: Dorian\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\nalt 3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 3 | AbMaj7  # IV: the #4 is the key’s 7th\n4 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\nalt 4 | Db7     # tritone substitute: resolves down a half step to C7b9\nalt 4 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5 | Fm7     # ii: Dorian, the key’s own notes\n5 | D7alt   # from the symbol: altered\n6 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n7 | Fm7     # ii: Dorian, the key’s own notes\n7 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | C7      # V7\u002Fii in Eb: the b13 is in the key\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | C7      # V7\u002Fii in Eb: the b13 is in the key\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | Ab7     # tritone substitute: resolves down a half step to G7b9\n6 | G7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n6 | C7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n7 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | A7#11   # tritone substitute: resolves down a half step to AbMaj7\n2 | AbMaj7  # the A7#11 before it makes Ab the key of the moment: the 4th is in the key\n2 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | C7#9    # V7\u002Fii in Eb: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\nalt 4 | Fm7     # ii: Dorian, the key’s own notes\nalt 4 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | C7      # V7\u002Fii in Eb: the b13 is in the key\nalt 5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5 | C7      # V7\u002Fii in Eb: the b13 is in the key\n6 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575905310]