[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:whats-new":3},"title: What's New\ncomposer: Bob Haggart\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\nrecording: John Coltrane Quartet; Ballads; Impulse!; 1963\nyoutube: SsXprfyx99w\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1962-09-18, Van Gelder Studio, Englewood Cliffs, Coltrane with McCoy Tyner, Jimmy Garrison, Elvin Jones, Impulse! A-32 (also the B side of the single 45-212, 1962); songbook standard (1939) → Coltrane's reading is the jazz reference; sources: jazzdisco, MusicBrainz; video: \"Provided to YouTube by Universal Music Group\", Ballads, the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: C major (A1 1)\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F13     # V7\u002Fbvii in C: the #11 is in the key\n# area: Ab major (A1 2–5)\n2 | Bbm9    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | DbMaj7  # IV: the #4 is the key’s 7th\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7#11   # V7\u002Fiii in Ab: 9, #11 and 13 from the symbol\n5 | Cm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Am7b5   # biiø7 in Ab: Locrian, its own mode (the chord is outside the key)\n# area: C major (A1 6 – A2 1)\n6 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7alt   # from the symbol: altered\n7 | CMaj7   # tonic: the 4th is in the key\n7 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Dm7     # ii of the ii–V to C\n8 | G7b9    # V7 of C: the b9 from the symbol\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F13     # V7\u002Fbvii in C: the #11 is in the key\n# area: Ab major (A2 2–5)\n2 | Bbm9    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | DbMaj7  # IV: the #4 is the key’s 7th\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7#11   # V7\u002Fiii in Ab: 9, #11 and 13 from the symbol\n5 | Cm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Am7b5   # biiø7 in Ab: Locrian, its own mode (the chord is outside the key)\n# area: C major (A2 6 – B 1)\n6 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7alt   # from the symbol: altered\n7 | CMaj7   # tonic: the 4th is in the key\n7 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Gm7     # ii of the ii–V to F\n8 | C7b9    # V7\u002FIV in C: the b9 from the symbol\n\nsection: B\n1 | FMaj7   # the C7b9 before it makes F the key of the moment: the 4th is in the key\n1 | Bb13    # V7\u002Fbiii in C: the #11 is in the key\n# area: Db major (B 2–5)\n2 | Ebm9    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n3 | GbMaj7  # IV: the #4 is the key’s 7th\n4 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | C7alt   # from the symbol: altered\n5 | Fm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Dm7b5   # biiø7 in Db: Locrian, its own mode (the chord is outside the key)\n# area: C major (B 6 – A3 1)\n6 | Gm7b5   # iiø7 of F: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | C7alt   # from the symbol: altered\n7 | FMaj7   # the C7alt before it makes F the key of the moment: the 4th is in the key\n7 | F6      # IV: the #4 is the key’s 7th\n8 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7alt   # from the symbol: altered\n\nsection: A3\ncopy: A1\n",1793484804553]