[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:what-are-you-doing-the-rest-of-your-life":3},"title: What Are You Doing The Rest Of Your Life?\ncomposer: Michel Legrand\nstyle: Ballad\nkey: Am\nform: AABA, 40 bars\n# analysis: 2026-10-31, rules v2; A minor\n\nsection: A1\n# area: A minor (A1 1–9)\n1  | Am      # tonic minor: Dorian by convention\n1  | Am\u002FG#   # tonic minor: Dorian by convention\n2  | Am7\u002FG   # tonic minor: Dorian by convention\n2  | F#m7b5  # viø7 in A minor: Locrian, its own mode (the chord is outside the key)\n3  | FMaj7   # a non-tonic major chord: Lydian\n4  | FMaj7\n5  | Dm7     # iv: Dorian, the key’s own notes\n6  | Dm7\u002FC   # iv: Dorian, the key’s own notes\n7  | Bm7     # ii of E7b13: Dorian\n8  | E7b13   # extended ii–V: a side-step, its own key; b13 from the symbol\n9  | Dm7     # iv: Dorian, the key’s own notes\n# area: A major (A1 10 – B 4)\n10 | Bm7b5   # iiø7 of A: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7b9    # V7 of A: the b9 from the symbol\n11 | AMaj7   # tonic: the 4th is in the key\n12 | AMaj7\n@ending 1 5 8\n@ending 2 9 12\n\nsection: B\n1  | Bm7     # ii of the ii–V to A\n1  | E7      # V7 of A: natural tensions\n2  | AMaj7   # tonic: the 4th is in the key\n2  | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Bm7     # ii of the ii–V to A\n3  | E7      # V7 of A: natural tensions\n4  | AMaj7   # tonic: the 4th is in the key\n# area: Gb major (B 5–6)\n5  | Abm7    # ii of the ii–V to Gb\n5  | Db7     # V7 of Gb: natural tensions\n6  | GbMaj7  # tonic: the 4th is in the key\n# area: A minor (B 7 – A2 16)\n7  | Gm7     # ii of the ii–V to F\n7  | C7      # V7\u002FbVI in A minor: natural tensions\n8  | FMaj7   # a non-tonic major chord: Lydian\n8  | E7b13   # V7 of A minor: b9 and b13 are in the key\n\nsection: A2\n1  | Am      # tonic minor: Dorian by convention\n1  | Am\u002FG#   # tonic minor: Dorian by convention\n2  | Am7\u002FG   # tonic minor: Dorian by convention\n2  | F#m7b5  # viø7 in A minor: Locrian, its own mode (the chord is outside the key)\n3  | FMaj7   # a non-tonic major chord: Lydian\n4  | FMaj7\n5  | Dm7     # iv: Dorian, the key’s own notes\n6  | Dm7\u002FC   # iv: Dorian, the key’s own notes\n7  | Bm7     # ii of E7b13: Dorian\n8  | E7b13   # extended ii–V: a side-step, its own key; b13 from the symbol\n9  | FMaj7   # a non-tonic major chord: Lydian\n10 | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7      # V7\u002Fi in A minor: b9 and b13 are in the key\n11 | FMaj7   # a non-tonic major chord: Lydian\n12 | F7#11   # bVI7 in A minor, not resolving: the #11 is in the key\n13 | Am7\u002FE   # tonic minor: Dorian by convention\n14 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b13   # V7 of A minor: b9 and b13 are in the key\n15 | Am      # tonic minor: Dorian by convention\n16 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | E7b9    # V7 of A minor: b9 and b13 are in the key\n",1793575905274]