[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:what-a-little-moonlight-can-do":3},"title: What A Little Moonlight Can Do\ncomposer: Harry Woods\nstyle: Up Tempo Swing\nkey: G\nform: ABCD, 64 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n1  | G6      # tonic: the 4th is in the key\n2  | G6\n3  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7      # V7\u002Fii in G: the b13 is in the key\n5  | Am7     # ii of D7: Dorian\n6  | D7      # V7\u002FI in G: natural tensions\n7  | Am7     # ii of D7: Dorian\n8  | D7      # V7\u002FI in G: natural tensions\n9  | Am7     # ii: Dorian, the key’s own notes\n10 | E7      # V7\u002Fii in G: the b13 is in the key\n11 | Am7     # ii of the ii–V to G\n12 | D7      # V7 of G: natural tensions\n13 | G6      # tonic: the 4th is in the key\n14 | G6\n15 | Dm7     # ii of the ii–V to C\n16 | G7      # V7\u002FIV in G: natural tensions\n\nsection: B\n1  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2  | CMaj7\n3  | F9      # back door bVII7 to G6: the #11 is in the key\n4  | F9\n5  | G6      # tonic: the 4th is in the key\n6  | Am7     # ii: Dorian, the key’s own notes\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7      # extended dominant: V7 of A9\n9  | A9      # static dominant: its own mode\n10 | A9\n11 | A9\n12 | A9\n13 | Am7     # ii: Dorian, the key’s own notes\n14 | G#dim7  # vii°7 of Am7: E7♭9 without its root\n15 | Am7     # ii: Dorian, the key’s own notes\n16 | Bbdim7  # passing diminished: a rootless dominant ♭9\n\nsection: C\n1  | G6      # tonic: the 4th is in the key\n2  | G6\n3  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7      # V7\u002Fii in G: the b13 is in the key\n5  | Am7     # ii of D7: Dorian\n6  | D7      # V7\u002FI in G: natural tensions\n7  | Am7     # ii of D7: Dorian\n8  | D7      # V7\u002FI in G: natural tensions\n9  | Am7     # ii: Dorian, the key’s own notes\n10 | Am7\u002FG   # ii: Dorian, the key’s own notes\n11 | F#m7b5  # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n13 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Eb7     # ♭VI7 from the parallel minor: Lydian Dominant\n15 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | G7      # V7\u002FIV in G: natural tensions\n\nsection: D\n1  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n2  | CMaj7\n3  | F9      # back door bVII7 to G6: the #11 is in the key\n4  | F9\n5  | G6      # tonic: the 4th is in the key\n6  | Am7     # ii: Dorian, the key’s own notes\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7      # V7\u002Fii in G: the b13 is in the key\n9  | Am7     # ii: Dorian, the key’s own notes\n10 | E7      # V7\u002Fii in G: the b13 is in the key\n11 | Am7     # ii of the ii–V to G\n12 | D7      # V7 of G: natural tensions\n13 | G6      # tonic: the 4th is in the key\n14 | G6\n15 | Am7     # ii of the ii–V to G\n16 | D7      # V7 of G: natural tensions\n",1793575905221]