[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:what-a-difference-a-day-made":3},"title: What A Difference A Day Made\ncomposer: Maria Grever\nstyle: Ballad\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Bb7     # tritone substitute: resolves down a half step to Am7\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n7  | C7      # V7 of F: natural tensions\n8  | FMaj7   # tonic: the 4th is in the key\n9  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n11 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Dm\n13 | Dm7     # ii of G7: Dorian\n13 | G7      # V7\u002FV in F: natural tensions\n14 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FV in F: natural tensions\n15 | Gm7     # ii of C7: Dorian\n16 | C7      # V7\u002FI in F: natural tensions\n\nsection: B\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Bb7     # tritone substitute: resolves down a half step to Am7\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # extended dominant: V7 of F7\n7  | F7      # I7 in F, not resolving: natural tensions\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n11 | FMaj7   # tonic: the 4th is in the key\n12 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n13 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n16 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | D7      # V7\u002Fii in F: the b13 is in the key\n",1793575905214]