[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:well-be-together-again":3},"title: We'll Be Together Again\ncomposer: Carl Fischer\nstyle: Medium ballad\nkey: C\nform: ABC, 32 bars\nrecording: Tony Bennett and Bill Evans; The Tony Bennett\u002FBill Evans Album; Fantasy; 1975\nyoutube: EGqm0L4uA0c\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded June 1975, Fantasy Studios, Berkeley, Tony Bennett with Bill Evans (piano), duo, produced by Helen Keane, Fantasy F-9489; songbook standard (1945, Carl Fischer and Frankie Laine) → the Bennett\u002FEvans duo, the reading most cited by jazz players, over Billie Holiday's and Sinatra's; sources: Wikipedia, jazzstandards.com; video: \"Provided to YouTube by Universal Music Group\", The Tony Bennett \u002F Bill Evans Album (2023 Craft remaster), the same take\n# book: Med. Ballad. Two changes in a bar get two beats apiece. Repeat signs around the whole form.\n\n# bar | chord\n# the pickup bar before A\n\nsection: Intro\nbars: 4\n# area: C major (Intro 1 – A 4)\n1  | G13         # V7 of C: natural tensions\n\nsection: A\n1  | C6          # tonic: the 4th is in the key\n1  | Ab9         # ♭VI7 from the parallel minor: Lydian Dominant\n2  | Dm7(add11)  # ii of G7: Dorian\n2  | G7          # V7\u002FI in C: natural tensions\n3  | Am          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7         # ii of D9#11: Dorian\n4  | D9#11       # V7\u002FV in C: the #11 from the symbol\n# area: Ab major (A 5–8)\n5  | Bbm9        # ii of the ii–V to Ab\n5  | Eb7         # V7 of Ab: natural tensions\n6  | AbMaj7      # tonic: the 4th is in the key\n7  | Dm7b5      |  | C: iiø7  # * iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | Ab9         # tritone substitute: resolves down a half step to G9sus4\n8  | G9sus4      # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C major (A 8–12)\n8  | G13         # V7 of C: natural tensions\n9  | C6          # tonic: the 4th is in the key\n9  | Ab9         # ♭VI7 from the parallel minor: Lydian Dominant\n10 | Dm7(add11)  # ii of G7: Dorian\n10 | G7          # V7\u002FI in C: natural tensions\n11 | Am          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Am7         # ii of D9#11: Dorian\n12 | D9#11       # V7\u002FV in C: the #11 from the symbol\n# area: Ab major (A 13–14)\n13 | Bbm9        # ii of the ii–V to Ab\n13 | Eb7         # V7 of Ab: natural tensions\n14 | AbMaj7      # tonic: the 4th is in the key\n# area: C major (A 15 – B 1)\n15 | Dm7b5       # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n15 | G13         # V7 of C: natural tensions\n16 | C6          # tonic: the 4th is in the key\n\nsection: B\n1  | Ab9         # tritone substitute: resolves down a half step to G7#5#9\n# area: C minor (B 1–8)\n1  | G7#5#9      # V7 of C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n# book: G7(#9 #5)\n2  | Cm6         # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Ab9         # tritone substitute: resolves down a half step to G7#5\n3  | G7#5        # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n4  | Cm6         # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5  | Ab6         # a non-tonic major chord: Lydian\n# alt (optional): bar 5, beats 1–2 (Ab13)\n5  | G7          # tritone substitute: resolves down a half step to Gb13\n6  | Gb13        # tritone substitute: resolves down a half step to F7\n6  | F7          # IV7 in C minor, not resolving: natural tensions\n7  | Dm7b5       # iiø7 in C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# alt (optional): bar 7, beats 1–2 (D7b5)\n7  | Ab13        # tritone substitute: resolves down a half step to G9sus4\n8  | G9sus4      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C major (B 8 – C 4)\n8  | G13         # V7 of C: natural tensions\n\nsection: C\n1  | C6          # tonic: the 4th is in the key\n1  | Ab9         # ♭VI7 from the parallel minor: Lydian Dominant\n2  | Dm7(add11)  # ii of G7: Dorian\n2  | G7          # V7\u002FI in C: natural tensions\n3  | Am          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am7         # ii of D9#11: Dorian\n4  | D9#11       # V7\u002FV in C: the #11 from the symbol\n# area: Ab major (C 5–6)\n5  | Bbm9        # ii of the ii–V to Ab\n5  | Eb7         # V7 of Ab: natural tensions\n6  | AbMaj7      # tonic: the 4th is in the key\n# area: C major (C 7–8)\n7  | Dm7b5       # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | G13         # V7 of C: natural tensions\n8  | C6          # tonic: the 4th is in the key\n# alt (optional): bar 8, beats 3–4 (G13)\n",1793484804478]