[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:weekend-blues":3},"title: Weekend Blues\ncomposer: Ed Kaiser\nstyle: Medium Swing\nkey: Fm\nform: ABA, 24 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n# area: F minor (A1 1–3)\n1 | Fm     # tonic minor: Dorian by convention\n1 | Ab+    # from the symbol: augmented\n2 | Ab     # bIII of F minor: the relative major itself\n2 | Dm7b5  # viø7 in F minor: Locrian, its own mode (the chord is outside the key)\n3 | Db7    # tritone substitute: resolves down a half step to C7\n3 | C7     # V7 in F minor, not resolving: b9 and b13 are in the key\n# area: G minor (A1 4–6)\n4 | Am7    # ii of the ii–V to G minor\n4 | D7     # V7 of G minor: b9 and b13 are in the key\n5 | Gm7    # tonic minor: Dorian by convention\n5 | Am7    # a borrowed minor chord: Dorian, its own key\n6 | Gm7b5  # iø7 in G minor: Locrian, its own mode (the chord is outside the key)\n6 | Fm7    # a borrowed minor chord: Dorian, its own key\n# area: C major (A1 7–8)\n7 | Db7    # tritone substitute: resolves down a half step to C+\n7 | C+     # from the symbol: augmented\n8 | Fm7    # iv7 from the parallel minor: Dorian, its notes\n# area: F minor (A1 8 – B 1)\n8 | F7     # V7\u002Fiv in F minor: the b13 is in the key\n\nsection: B\n1 | Bbm7   # iv: Dorian, the key’s own notes\n1 | C7     # V7 in F minor, not resolving: b9 and b13 are in the key\n# area: G minor (B 2–4)\n2 | Am7    # ii of the ii–V to G minor\n2 | D7     # V7 of G minor: b9 and b13 are in the key\n3 | Gm7    # tonic minor: Dorian by convention\n3 | C+     # from the symbol: augmented\n4 | FMaj7  # ♭VII of G minor: F major, the notes of G Dorian\n# area: F minor (B 4 – A2 3)\n4 | F7     # V7\u002Fiv in F minor: the b13 is in the key\n5 | Bbm7   # iv: Dorian, the key’s own notes\n5 | Bbdim  # passing diminished: A7♭9 without its A, the D7's dominant; not functioning diatonically: the symmetric scale\n6 | Am7    # ii of D7: Dorian\n6 | D7     # V7\u002Fii in F minor: b9 and b13 are in the key\n7 | Gm7b5  # iiø7 in F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | Fm     # tonic minor: Dorian by convention\n8 | C7     # V7 of the Fm before it: b9 and b13 are in the key\n8 | C+     # from the symbol: augmented\n\nsection: A2\n1 | Fm     # tonic minor: Dorian by convention\n1 | Ab+    # from the symbol: augmented\n2 | Ab     # bIII of F minor: the relative major itself\n2 | Dm7b5  # viø7 in F minor: Locrian, its own mode (the chord is outside the key)\n3 | Db7    # tritone substitute: resolves down a half step to C7\n3 | C7     # V7 in F minor, not resolving: b9 and b13 are in the key\n# area: G minor (A2 4–7)\n4 | Am7    # ii of the ii–V to G minor\n4 | D7     # V7 of G minor: b9 and b13 are in the key\n5 | Gm7    # tonic minor: Dorian by convention\n5 | Am7    # a borrowed minor chord: Dorian, its own key\n6 | Gm7b5  # iø7 in G minor: Locrian, its own mode (the chord is outside the key)\n6 | Fm7    # a borrowed minor chord: Dorian, its own key\n7 | Bbm7   # a borrowed minor chord: Dorian, its own key\n# area: F minor (A2 7–8)\n7 | C7     # V7 of F minor: b9 and b13 are in the key\n8 | Fm7    # tonic minor: Dorian by convention\n",1793575905158]