[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:webb-city":3},"title: Webb City\ncomposer: Bud Powell\nstyle: Medium Up Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7     # ii: Dorian, the key’s own notes\n2  | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended dominant: V7 of Bb7\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n6  | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n7  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n8  | Cm7     # ii of F7: Dorian\n8  | F7      # V7\u002FI in Bb: natural tensions\n9  | Cm7     # ii of the ii–V to Bb\n9  | F7      # V7 of Bb: natural tensions\n10 | Bb6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n2  | Eb7\n3  | Bb7     # I7 in Bb, not resolving: natural tensions\n4  | G7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n5  | C7#11   # V7 of V7: the dominant of the dominant: the #11 from the symbol\n6  | C7#11\n7  | F7#5    # V7 of Bb: #11 and b13 from the symbol\n8  | F7#5\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n1  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7     # ii: Dorian, the key’s own notes\n2  | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n3  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended dominant: V7 of Bb7\n5  | Bb7     # extended dominant: V7 of Eb7\n6  | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\n6  | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n7  | Cm7     # ii of the ii–V to Bb\n7  | F7      # V7 of Bb: natural tensions\n8  | Bb6     # tonic: the 4th is in the key\n",1793575905145]