[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:water-sign":3},"title: Water Sign\ncomposer: Jeff Lorber\nstyle: Funk\nkey: F\nform: ABAB, 88 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: Intro1\n1  | N.C.\n2  | N.C.\n3  | N.C.\n4  | N.C.\n5  | N.C.\n6  | N.C.\n7  | N.C.\n8  | N.C.\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n# area: F major (A1 1 – B1 1)\n1  | F9      # I7 in F, not resolving: natural tensions\n2  | F9\n3  | F9\n4  | Eb9     # ♭VII7 from the parallel minor: Lydian Dominant; the repeat at A2 bar 4 would be Eb Mixolydian\n4  | E9      # VII7 in F, not resolving: the b13 is in the key, the 9 from the symb…; the repeat at A2 bar 4 would be E Lydian Dominant\n5  | F9      # static dominant: its own mode\n6  | F9\n7  | F9\n8  | F9\n9  | F9\n10 | F9\n11 | F9\n12 | F9\n\nsection: B1\n1  | AbMaj7  # ♭IIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key); the repeat at B2 bar 1 would be Ab Ionian\n# area: C minor (B1 1–2)\n1  | G7alt   # from the symbol: altered\n2  | Cm7     # tonic minor: Dorian by convention; the repeat at B2 bar 2 would be C Phrygian\n# area: Ab major (B1 2 – B2 32)\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n3  | G7      # V7\u002Fiii in Ab: b9 and b13 are in the key\n4  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bbm7    # ii of the ii–V to Ab\n4  | Eb7     # V7 of Ab: natural tensions\n5  | AbMaj7  # tonic: the 4th is in the key\n5  | G7alt   # from the symbol: altered\n6  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7 of Ab: natural tensions\n7  | AbMaj7  # tonic: the 4th is in the key\n7  | G7alt   # from the symbol: altered\n8  | F9      # static dominant: its own mode\n9  | F9\n10 | F9\n11 | F9\n12 | F9\n13 | F9\n14 | F9\n15 | F9\n16 | F9\n17 | F9\n18 | F9\n19 | F9\n20 | F9\n21 | F9\n22 | F9\n23 | F9\n24 | AbMaj7  # tonic: the 4th is in the key\n24 | G7alt   # from the symbol: altered\n25 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n25 | Eb7     # V7 of Ab: natural tensions\n26 | AbMaj7  # tonic: the 4th is in the key\n26 | G7alt   # from the symbol: altered\n27 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n27 | Eb7     # V7 of Ab: natural tensions\n28 | AbMaj7  # tonic: the 4th is in the key\n28 | G7alt   # from the symbol: altered\n29 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n29 | Eb7     # V7 of Ab: natural tensions\n30 | AbMaj7  # tonic: the 4th is in the key\n30 | G7alt   # from the symbol: altered\n31 | F9      # static dominant: its own mode; the repeat at B2 bar 31 would be F Mixolydian b6\n32 | F9      # static dominant: its own mode; the repeat at B2 bar 32 would be F Mixolydian b6\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n",1793575905096]