[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:water-colors":3},"title: Water Colors\ncomposer: Pat Metheny\nstyle: Even 8's\nkey: Eb\ntime: 5\u002F4\nform: AA, 50 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n# area: Eb major (A 1–4)\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Bb7sus    # static sus: Mixolydian\n1  | Db6       # ♭VII6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n2  | BbMaj7    # a non-tonic major chord: Lydian\n3  | EbMaj7    # tonic: the 4th is in the key\n3  | G7        # III7 in Eb, not resolving: b9 and b13 are in the key\n3  | DbMaj7    # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n4  | DbMaj7\n# area: B major (A 4–5)\n4  | C7        # tritone substitute: resolves down a half step to BMaj7\n5  | BMaj7     # tonic: the 4th is in the key\n5  | GbMaj7    # a non-tonic major chord: Lydian\n# area: Eb major (A 6–34)\n6  | G7sus     # V7sus4 of Cm7: the b13 is in the key\n6  | Cm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Db7       # tritone substitute: resolves down a half step to Cm7\n7  | Cm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | BbMaj7    # a non-tonic major chord: Lydian\n7  | Bb7sus    # static sus: Mixolydian\n8  | Ab7sus    # static sus: Mixolydian\n8  | GMaj7     # a non-tonic major chord: Lydian\n9  | Gb        # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n9  | Fm        # ii: Dorian, the key’s own notes\n10 | EMaj7     # ♭IImaj7, borrowed from Eb Phrygian: Lydian (its ♯11 is in the key)\n11 | EMaj7\n12 | A         # a non-tonic major chord: Lydian\n13 | Abm       # iv from the parallel minor: Dorian, its notes\n14 | F#        # ♭III, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n14 | Db7\u002FF     # V7 of the F# before it: the #11 is in the key\n15 | BMaj7\u002FEb  # ♭VImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n15 | Bb7b9\u002FD   # V7 in Eb, not resolving: the b9 from the symbol\n16 | Cm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Gm\u002FBb     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n17 | AbMaj7    # IV: the #4 is the key’s 7th\n18 | AbMaj7\n19 | AbMaj7\n20 | AbMaj7\n21 | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | Gm7\n23 | DbMaj7    # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n24 | DbMaj7\n25 | Cm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n26 | Cm7\n27 | Bbm7      # ii of Eb7sus: Dorian\n27 | Eb7sus    # static sus: Mixolydian\n28 | Eb7sus\n29 | Bbm7      # ii of Eb7sus: Dorian\n29 | Eb7sus    # static sus: Mixolydian\n30 | Eb7sus\n31 | Bbm7      # a borrowed minor chord: Dorian, its own key\n32 | Bbm7\n33 | Bm7       # ii of E7: Dorian\n33 | E7        # tritone substitute: resolves down a half step to EbMaj7\n34 | E7\n@time 2 6\u002F4\n@time 3 4\u002F4\n@time 12 3\u002F4\n@time 17 4\u002F4\n@ending 1 17 18\n@ending 2 19 34\n",1793575905076]