[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:waltzing-matilda":3},"title: Waltzing Matilda\nsubtitle: Samba or Afro-Cuban\ncomposer: Traditional (Australian)\nstyle: Latin\nkey: Eb\nform: AABC, 32 bars\n# analysis: 2026-10-19, rules v2; Eb\n\n# bar | chord | scale\n\nsection: Coda\n1 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | C7      # V7\u002Fii in Eb: the b13 is in the key\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb      # tonic: the 4th is in the key\n\nsection: A1\n# the coda is a Gm7 C7 Fm7 Bb7 turnaround, played twice\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7     # V7 of Eb: natural tensions\n8 | EbMaj7  # tonic: the 4th is in the key\n\nsection: B\n1 | EbMaj7\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: C\n1 | EbMaj7  # tonic: the 4th is in the key\n2 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | C7      # V7\u002Fii in Eb: the b13 is in the key\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7     # V7 of Eb: natural tensions\n8 | Eb      # tonic: the 4th is in the key\n",1793484804449]