[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:wabash":3},"title: Wabash\ncomposer: Cannonball Adderley\nstyle: Medium Up Swing\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | C6    # tonic: the 4th is in the key\n2 | C6\n3 | F7    # extended dominant: V7 of Bb7\n4 | Bb7   # back door bVII7 to C6: the #11 is in the key\n5 | C6    # tonic: the 4th is in the key\n6 | C6\n7 | Em7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7    # V7\u002Fii in C: the b13 is in the key\n\nsection: B\n1 | Dm7   # ii of the ii–V to C\n2 | G7    # V7 of C: natural tensions\n3 | C6    # tonic: the 4th is in the key\n3 | G7b9  # V7 of C: the b9 from the symbol\n4 | C6    # tonic: the 4th is in the key\n5 | Am7   # ii of D7: Dorian\n6 | D7    # V7\u002FV in C: natural tensions\n7 | Ebm7  # ii of Ab7: Dorian\n7 | Ab7   # extended ii–V: a side-step, its own key\n8 | Dm7   # ii of the ii–V to C\n8 | G7    # V7 of C: natural tensions\n\nsection: A2\n1 | C6    # tonic: the 4th is in the key\n2 | C6\n3 | F7    # extended dominant: V7 of Bb7\n4 | Bb7   # back door bVII7 to C6: the #11 is in the key\n5 | C6    # tonic: the 4th is in the key\n6 | C6\n7 | Em7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7    # V7\u002Fii in C: the b13 is in the key\n\nsection: C\n1 | Dm7   # ii of G7: Dorian\n2 | G7    # V7\u002FI in C: natural tensions\n3 | Fm7   # ii of Bb7: Dorian\n3 | Bb7   # extended ii–V: a side-step, its own key\n4 | Em7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | A7    # extended ii–V: a side-step, its own key\n5 | Ebm7  # ii of Ab7: Dorian\n5 | Ab7   # extended ii–V: a side-step, its own key\n6 | Dm7   # ii of the ii–V to C\n6 | G7    # V7 of C: natural tensions\n7 | C6    # tonic: the 4th is in the key\n8 | Dm7   # ii of the ii–V to C\n8 | G7    # V7 of C: natural tensions\n",1793575904899]