[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:vonetta":3},"title: Vonetta\ncomposer: Earl Klugh\nstyle: Medium Swing\nkey: Dm\nform: AAA, 51 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: Intro\n# area: D minor (Intro 1 – A1 4)\n1  | Dm7     # tonic minor: Dorian by convention\n2  | BbMaj7  # a non-tonic major chord: Lydian\n3  | Dm7     # tonic minor: Dorian by convention\n4  | BbMaj7  # a non-tonic major chord: Lydian\n\nsection: A1\n1  | Dm7     # tonic minor: Dorian by convention\n2  | Dm7\n3  | BbMaj7  # a non-tonic major chord: Lydian\n4  | Gm7     # iv: Dorian, the key’s own notes\n# area: D major (A1 4–14)\n4  | A7b5    # V7 of D: the #11 from the symbol\n5  | D69     # tonic: the 4th is in the key\n5  | G7      # tritone substitute: resolves down a half step to F#m7\n6  | F#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n8  | EbMaj7  # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n8  | AbMaj7  # a non-tonic major chord: Lydian\n9  | Dm7     # a borrowed minor chord: Dorian, its own key\n10 | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | Dm7     # a borrowed minor chord: Dorian, its own key\n12 | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n13 | BbMaj7\n14 | FMaj7   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n# area: D minor (A1 14 – A2 4)\n14 | F7      # V7\u002FbVI in D minor: natural tensions\n15 | BbMaj7  # a non-tonic major chord: Lydian\n15 | Am7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n16 | Dm7     # tonic minor: Dorian by convention\n16 | B7b5    # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n17 | Dm7     # tonic minor: Dorian by convention\n18 | BbMaj7  # a non-tonic major chord: Lydian\n19 | Dm7     # tonic minor: Dorian by convention\n20 | BbMaj7  # a non-tonic major chord: Lydian\n@ending 1 16\n@ending 2 17 20\n\nsection: A2\n1  | Dm7     # tonic minor: Dorian by convention\n2  | Dm7\n3  | BbMaj7  # a non-tonic major chord: Lydian\n4  | Gm7     # iv: Dorian, the key’s own notes\n# area: D major (A2 4–16)\n4  | A7b5    # V7 of D: the #11 from the symbol\n5  | D69     # tonic: the 4th is in the key\n5  | G7      # tritone substitute: resolves down a half step to F#m7\n6  | F#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n8  | EbMaj7  # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n8  | AbMaj7  # a non-tonic major chord: Lydian\n9  | Dm7     # a borrowed minor chord: Dorian, its own key\n10 | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n11 | Dm7     # a borrowed minor chord: Dorian, its own key\n12 | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n13 | Dm7     # a borrowed minor chord: Dorian, its own key\n14 | Dm7\n15 | BbMaj7  # ♭VImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n16 | BbMaj7\n",1793575904870]