[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:voce-vai-ver":3},"title: Você Vai Ver\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: F\nform: AA, 36 bars\nrecording: Antonio Carlos Jobim; Terra Brasilis; Warner Bros.; 1980\nyoutube: ikSxPVYD95w\n# analysis: 2026-10-28, rules v2; F\n# recording: arr. Claus Ogerman, prod. Aloysio de Oliveira (Warner Bros. 2B 3409; ℗ 1979), Jobim's own first recording; rule 1; sources: Discogs, MusicBrainz; video: Rhino\u002FWarner Records \"Provided to YouTube\" upload, album Terra Brasilis, 2:55\n\nsection: Intro\n# area: F major (Intro 1–3)\n1  | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n2  | Eb7\u002FBb  # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (Intro 4–7)\n4  | Ab7     # V7 of Db: natural tensions\n5  | DbMaj7  # tonic: the 4th is in the key\n6  | GbMaj7  # IV: the #4 is the key’s 7th\n7  | FMaj7   # a non-tonic major chord: Lydian\n# area: F major (Intro 8 – A 2)\n8  | Gb7#11  # tritone substitute: resolves down a half step to FMaj7\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | FMaj7\n# area: Eb major (A 3–8)\n3  | Bm7b5   # iiø7 of E7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7      # tritone substitute: resolves down a half step to EbMaj7\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | Eb6     # tonic: the 4th is in the key\n7  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n# area: F major (A 9–12)\n9  | Gm7     # ii of the ii–V to F\n10 | C9      # V7 of F: natural tensions\n11 | F6      # tonic: the 4th is in the key\n12 | F6\n# area: A major (A 13–19)\n13 | Bm7b5   # iiø7 of A: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7      # V7 of A: natural tensions\n15 | AMaj7   # tonic: the 4th is in the key\n15 | AbMaj7  # a non-tonic major chord: Lydian\n16 | Gm7     # a borrowed minor chord: Dorian, its own key\n16 | Gb7#11  # VI7 in A, not resolving: #11 and 13 from the symbol\n17 | Am7     # ii of D7: Dorian\n18 | D7      # extended dominant: V7 of G13\n19 | G13     # ♭VII7 from the parallel minor: Lydian Dominant\n# area: F major (A 20 – Coda 1)\n20 | Gm7     # ii of C9: Dorian\n20 | C9      # V7\u002FI in F: natural tensions\n21 | A13     # III7 in F, not resolving: the b9 is in the key, the 13 from the symbol\n21 | A7b13   # III7 in F, not resolving: b9 and b13 are in the key\n22 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | D7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n23 | G13     # V7 of V7: the dominant of the dominant: natural tensions\n24 | C9      # V7 in F, not resolving: natural tensions\n24 | C7b9    # V7 in F, not resolving: the b9 from the symbol\n25 | Bm7b5   # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n26 | Eb7\u002FBb  # back door bVII7 to FMaj7: the #11 is in the key\n@ending 1 11 16\n@ending 2 17 26\n\nsection: Coda\n1  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (Coda 2–6)\n2  | Ab7     # V7 of Db: natural tensions\n3  | DbMaj7  # tonic: the 4th is in the key\n4  | GbMaj7  # IV: the #4 is the key’s 7th\n5  | FMaj7   # a non-tonic major chord: Lydian\n6  | FMaj7\n@coda 1\n",1793484804383]