[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:voce-e-eu":3},"title: Você e Eu\ncomposer: Carlos Lyra\nstyle: Bossa Nova\nkey: C\nform: ABABC, 40 bars\nrecording: Carlos Lyra; Carlos Lyra; Philips; 1961\n# analysis: 2026-10-28, rules v2; C\n# recording: Philips P.630.430.L, Lyra's second LP, a one-minute version, his own first recording (lyrics Vinicius de Moraes; Discogs credits Nelson Lins e Barros); rule 1; sources: Discogs, Wikipedia (pt); video: none official (only reissue-label Topic uploads)\n\nsection: A1\n1 | CMaj7    # tonic: the 4th is in the key\n2 | CMaj7\n3 | B7#9     # VII7 in C, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | B7#9\n5 | CMaj7    # tonic: the 4th is in the key\n6 | F9       # tritone substitute: resolves down a half step to Em7\n7 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7b9     # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n@segno 1\n\nsection: B1\n1 | Dm7      # ii: Dorian, the key’s own notes\n2 | Dm7\n3 | Fm6      # a minor sixth chord: Dorian\n4 | Bb9      # extended ii–V: a side-step, its own key\n5 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Ebdim7   # passing diminished: D7♭9 without its D, the G7b9's dominant (Dm7 its ii)\n7 | Dm7      # ii of the ii–V to C\n8 | G7b9     # V7 of C: the b9 from the symbol\n\nsection: A2\n1 | CMaj7    # tonic: the 4th is in the key\n2 | CMaj7\n3 | B7#9     # VII7 in C, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | B7#9\n5 | CMaj7    # tonic: the 4th is in the key\n6 | F9       # tritone substitute: resolves down a half step to Em7\n7 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7b9     # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n\nsection: B2\n1 | Dm7      # ii: Dorian, the key’s own notes\n2 | Dm7\n3 | Fm6      # a minor sixth chord: Dorian\n4 | Bb9      # extended ii–V: a side-step, its own key\n5 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7\u002FG    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | B7b9     # V7\u002Fiii in C: b9 and b13 are in the key\n\nsection: C\n1 | Em7\u002FG    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7b13\u002FG  # extended ii–V: a side-step, its own key; b13 from the symbol\n3 | Dm7\u002FG    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | G7b9     # V7 in C, not resolving: the b9 from the symbol\n5 | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | A7       # V7\u002Fii in C: the b13 is in the key\n7 | Dm7      # ii of the ii–V to C\n8 | G7b9     # V7 of C: the b9 from the symbol\n",1793484804378]