[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:vitoriosa":3},"title: Vitoriosa\ncomposer: Ivan Lins\nstyle: Slow Bossa Nova\nkey: D\nform: ABAC, 41 bars\nrecording: Ivan Lins; Ivan Lins; Som Livre; 1986\n# analysis: 2026-10-28, rules v2; D\n# recording: Som Livre 530.018, Ivan Lins's own first recording (lyrics Vitor Martins); rule 1; sources: Discogs, MusicBrainz; video: none official of this recording (the Topic upload is the 1994 Velas remake)\n\nsection: Intro\n# area: D major (Intro 1 – B 5)\n1  | DMaj7     # tonic: the 4th is in the key\n2  | A9        # V7 of D: natural tensions\n3  | DMaj7     # tonic: the 4th is in the key\n4  | C9        # tritone substitute: resolves down a half step to Bm\n5  | Bm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | F#m       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Em        # ii of the ii–V to D\n6  | A7        # V7 of D: natural tensions\n7  | DMaj7     # tonic: the 4th is in the key\n8  | C7        # back door bVII7 to DMaj7: the #11 is in the key\n\nsection: A1\n1  | DMaj7     # tonic: the 4th is in the key\n2  | A9        # V7 of D: natural tensions\n3  | DMaj7     # tonic: the 4th is in the key\n4  | A9        # V7 of D: natural tensions\n5  | DMaj7     # tonic: the 4th is in the key\n5  | D#dim7    # vii°7 of Em7: B7♭9 without its root\n6  | Em7       # ii: Dorian, the key’s own notes\n6  | C#m7b5    # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7       # V7\u002Fvi in D: b9 and b13 are in the key\n7  | Bm7       # ii of E7: Dorian\n7  | E7        # V7\u002FV in D: natural tensions\n8  | Em7       # ii of the ii–V to D\n8  | A7        # V7 of D: natural tensions\n9  | DMaj7     # tonic: the 4th is in the key\n10 | F#7b13    # V7\u002Fvi in D: b9 and b13 are in the key\n\nsection: B\n1  | Bm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Bm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | GMaj7     # IV: the #4 is the key’s 7th\n# area: F# major (B 6–9)\n6  | G#m7b5    # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C#7b9     # V7 of F#: the b9 from the symbol\n7  | F#Maj7    # tonic: the 4th is in the key\n7  | D#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | BMaj7\u002FD#  # IV: the #4 is the key’s 7th\n8  | C#7       # V7 of F#: natural tensions\n9  | F#Maj7    # tonic: the 4th is in the key\n9  | D#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B 10 – Coda2 8)\n10 | Bm7       # ii of E7: Dorian\n10 | E7        # V7 of V7: the dominant of the dominant: natural tensions\n11 | A7        # V7 in D, not resolving: natural tensions\n12 | Am7       # a borrowed minor chord: Dorian, its own key\n12 | A7        # V7 of D: natural tensions\n@segno 1\n\nsection: A2\n1  | DMaj7     # tonic: the 4th is in the key\n2  | A9        # V7 of D: natural tensions\n3  | DMaj7     # tonic: the 4th is in the key\n4  | A9        # V7 of D: natural tensions\n5  | DMaj7     # tonic: the 4th is in the key\n5  | D#dim7    # vii°7 of Em7: B7♭9 without its root\n6  | Em7       # ii: Dorian, the key’s own notes\n6  | C#m7b5    # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | F#7       # V7\u002Fvi in D: b9 and b13 are in the key\n7  | Bm7       # ii of E7: Dorian\n7  | E7        # V7\u002FV in D: natural tensions\n8  | Em7       # ii of the ii–V to D\n8  | A7        # V7 of D: natural tensions\n\nsection: C\n1  | DMaj7     # tonic: the 4th is in the key\n2  | A9        # V7 of D: natural tensions\n3  | DMaj7     # tonic: the 4th is in the key\n4  | A9        # V7 of D: natural tensions\n5  | DMaj7     # tonic: the 4th is in the key\n6  | C9        # tritone substitute: resolves down a half step to Bm\n7  | Bm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | F#m       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Em        # ii of the ii–V to D\n8  | A7        # V7 of D: natural tensions\n9  | DMaj7     # tonic: the 4th is in the key\n10 | C7        # back door bVII7 to DMaj7: the #11 is in the key\n11 | C7\n@coda 2\n@nav 10 D.S. al Coda\n\nsection: Coda1\n1  | DMaj7     # tonic: the 4th is in the key\n2  | A9        # V7 of D: natural tensions\n3  | DMaj7     # tonic: the 4th is in the key\n4  | C9        # tritone substitute: resolves down a half step to Bm\n5  | Bm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | F#m       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Em        # ii of the ii–V to D\n6  | A7        # V7 of D: natural tensions\n7  | DMaj7     # tonic: the 4th is in the key\n8  | C7        # back door bVII7 to DMaj7: the #11 is in the key\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484804365]