[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:virgo":3},"title: Virgo\ncomposer: Wayne Shorter\nstyle: Ballad\nkey: F\nform: ABC, 29 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1–3)\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bbm7    # ii of Eb7: Dorian\n2  | Eb7     # extended ii–V: a side-step, its own key\n3  | Dm7b5   # viø7 in F: Locrian, its own mode (the chord is outside the key)\n# area: A major (A 3 – B 1)\n3  | Bb7#11  # tritone substitute: resolves down a half step to AMaj7\n4  | AMaj7   # tonic: the 4th is in the key\n5  | Am7     # a borrowed minor chord: Dorian, its own key\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # extended ii–V: a side-step, its own key\n7  | Em7b5   # vø7 in A: Locrian, its own mode (the chord is outside the key)\n7  | Eb7#11  # tritone substitute: resolves down a half step to DMaj7\n8  | DMaj7   # the Eb7#11 before it makes D the key of the moment: the 4th is in the key\n\nsection: B\n1  | Dm7     # iv7 from the parallel minor: Dorian, its notes\n# area: F major (B 2–4)\n2  | Cm7     # ii of F7: Dorian\n2  | F7      # V7\u002FIV in F: natural tensions\n3  | Eb7     # tritone substitute: resolves down a half step to D7\n3  | D7      # V7\u002Fii in F: the b13 is in the key\n4  | Gm7     # ii: Dorian, the key’s own notes\n# area: Db major (B 4–5)\n4  | Ab7     # V7 of Db: natural tensions\n5  | DbMaj7  # tonic: the 4th is in the key\n# area: F major (B 6 – C 3)\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | Gm7     # ii: Dorian, the key’s own notes\n8  | C#m7    # ii of F#7: Dorian\n8  | F#7     # tritone substitute: resolves down a half step to FMaj7\n\nsection: C\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Bbm7    # ii of Eb7: Dorian\n2  | Eb7     # extended ii–V: a side-step, its own key\n3  | Dm7b5   # viø7 in F: Locrian, its own mode (the chord is outside the key)\n# area: A major (C 3–7)\n3  | Bb7#11  # tritone substitute: resolves down a half step to AMaj7\n4  | AMaj7   # tonic: the 4th is in the key\n5  | Am7     # a borrowed minor chord: Dorian, its own key\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # extended ii–V: a side-step, its own key\n7  | Em7b5   # vø7 in A: Locrian, its own mode (the chord is outside the key)\n# area: F major (C 7–13)\n7  | Eb7#11  # tritone substitute: resolves down a half step to Dm7\n8  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Db7#5   # tritone substitute: resolves down a half step to Cm7; b13 from the symbol\n9  | Cm7     # ii of the ii–V to Bb\n9  | F7      # V7\u002FIV in F: natural tensions\n10 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n11 | E7#5    # V7 of A7#5, on the way to D minor: b9 and b13 are in the key, the #11 from the symbol\n11 | A7#5    # V7 of D minor, the chain's last link: b9 and b13 are in the key, the #11 from the symbol\n12 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Gm7     # ii of the ii–V to F\n13 | C7      # V7 of F: natural tensions\n",1793575904807]