[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:violets-for-your-furs":3},"title: Violets For Your Furs\ncomposer: Adair, Matt Dennis\nstyle: Ballad\nkey: F\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n3 | Bbm7    # ii of Eb7: Dorian\n3 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n4 | FMaj7   # tonic: the 4th is in the key\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of the ii–V to F\n5 | C7      # V7 of F: natural tensions\n6 | FMaj7   # tonic: the 4th is in the key\n7 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n8 | Gm7     # ii: Dorian, the key’s own notes\n8 | D7b9#5  # V7\u002Fii in F: the b13 is in the key, b9 and #11 from the symbol\n\nsection: B\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n2 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n3 | Gm7     # ii of the ii–V to F\n3 | C7      # V7 of F: natural tensions\n4 | FMaj7   # tonic: the 4th is in the key\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of the ii–V to F\n5 | C7      # V7 of F: natural tensions\n6 | FMaj7   # tonic: the 4th is in the key\n6 | D7      # extended dominant: V7 of G7\n7 | G7      # II7 in F, not resolving: natural tensions\n8 | Gm7     # ii of C7: Dorian\n8 | C7      # V7\u002FI in F: natural tensions\n\nsection: A2\n1 | Gm7     # ii of the ii–V to F\n1 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n3 | Bbm7    # ii of Eb7: Dorian\n3 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n4 | FMaj7   # tonic: the 4th is in the key\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of the ii–V to F\n5 | C7      # V7 of F: natural tensions\n6 | FMaj7   # tonic: the 4th is in the key\n7 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n8 | Gm7     # ii: Dorian, the key’s own notes\n\nsection: C\n1 | BbMaj7  # IV: the #4 is the key’s 7th\n2 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Eb7     # tritone substitute: resolves down a half step to D7\n4 | D7      # tritone substitute: resolves down a half step to Db7\n5 | Db7     # tritone substitute: resolves down a half step to C7#5\n5 | C7#5    # V7 of F: #11 and b13 from the symbol\n6 | F6      # tonic: the 4th is in the key\n6 | D7      # V7\u002Fii in F: the b13 is in the key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n8 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n",1793575904800]