[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:vidro-e-corte":3},"title: Vidro e Corte\ncomposer: Milton Nascimento\nstyle: Slow Bossa Nova\nkey: Am\ntime: 3\u002F4\nform: AB, 36 bars\nrecording: Milton Nascimento; Encontros e Despedidas; Barclay; 1985\nyoutube: UuHQBdJvo-k\n# analysis: 2026-10-28, rules v2; A minor\n# recording: Barclay 827.638-1, with Pat Metheny, Milton's own first recording; rule 1; sources: Discogs, MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, album Encontros e Despedidas, 4:42\n\nsection: A\n1  | Am7     # tonic minor: Dorian by convention\n2  | G69     # ♭VII of A minor: G major, the notes of A Dorian\n3  | FMaj7   # a non-tonic major chord: Lydian\n4  | Bm7b5   # iiø7 in A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | Bb7     # tritone substitute: resolves down a half step to Am7\n5  | Am7     # tonic minor: Dorian by convention\n6  | G\u002FB     # ♭VII of A minor: G major, the notes of A Dorian\n7  | C       # bIII of A minor: the relative major itself\n8  | Bm7b5   # iiø7 in A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bb7     # tritone substitute: resolves down a half step to Am7\n9  | Am7     # tonic minor: Dorian by convention\n10 | G69     # ♭VII of A minor: G major, the notes of A Dorian\n11 | FMaj7   # a non-tonic major chord: Lydian\n12 | Bb7     # tritone substitute: resolves down a half step to Am7\n13 | Am7     # tonic minor: Dorian by convention\n14 | G\u002FB     # ♭VII of A minor: G major, the notes of A Dorian\n15 | C       # bIII of A minor: the relative major itself\n15 | Bb7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n16 | B7sus   # V7sus4 of E7: the b13 is in the key\n16 | E7      # V7 in A minor, not resolving: b9 and b13 are in the key\n\nsection: B\n1  | F#m7b5  # viø7 in A minor: Locrian, its own mode (the chord is outside the key)\n2  | F#m7b5\n3  | FMaj7   # a non-tonic major chord: Lydian\n4  | E7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | E7      # V7 of A minor: b9 and b13 are in the key\n5  | Am\u002FC    # tonic minor: Dorian by convention\n6  | D       # a non-tonic major chord: Lydian\n7  | E       # a non-tonic major chord: Lydian\n8  | CMaj7   # bIII of A minor: the relative major itself\n9  | F\u002FC     # a non-tonic major chord: Lydian\n10 | Gm6\u002FD   # a minor sixth chord: Dorian\n10 | A7      # I7 in A minor, not resolving: the b13 is in the key\n11 | C69     # bIII of A minor: the relative major itself\n12 | Bm7b5   # iiø7 in A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | Bb7     # tritone substitute: resolves down a half step to Am7\n13 | Am7     # tonic minor: Dorian by convention\n14 | D\u002FA     # a non-tonic major chord: Lydian\n15 | F\u002FC     # a non-tonic major chord: Lydian\n16 | Dm7     # iv: Dorian, the key’s own notes\n16 | Bb7     # tritone substitute: resolves down a half step to Am7\n17 | Am7     # tonic minor: Dorian by convention\n18 | Am7\n19 | Am7\n20 | Am7\n@coda 16\n\nsection: Coda\n1  | Am7     # tonic minor: Dorian by convention\n2  | D\u002FA     # a non-tonic major chord: Lydian\n3  | F\u002FC     # a non-tonic major chord: Lydian\n4  | Dm7     # iv: Dorian, the key’s own notes\n4  | Bb7     # tritone substitute: resolves down a half step to Am7\n5  | Am7     # tonic minor: Dorian by convention\n@coda 1\n@nav 5 Fine\n",1793484804359]