[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:very-early":3},"title: Very Early\ncomposer: Bill Evans\nstyle: Medium jazz waltz\nkey: C\ntime: 3\u002F4\nform: AAB, 48 bars\nrecording: Bill Evans Trio; Moon Beams; Riverside; 1962\nyoutube: KKe5A1iCPGo\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded 1962-05-29, NYC (Chuck Israels, Paul Motian), RLP 428 \u002F RLP 9428, released December 1962; written while Evans was at Southeastern Louisiana College; take 10 issued later (jazzdisco.org, Wikipedia)\n\n# bar | chord\n\nsection: A\n# area: C major (A 1)\n1  | CMaj7        # tonic: the 4th is in the key\n# area: Eb major (A 2–3)\n2  | Bb9          # V7 of Eb: natural tensions\n3  | EbMaj7       # tonic: the 4th is in the key\n# area: Db major (A 4–5)\n4  | Ab13b9       # V7 of Db: the b9 from the symbol\n5  | DbMaj7       # tonic: the 4th is in the key\n# area: C major (A 6–13)\n6  | G13          # V7 of C: natural tensions\n7  | CMaj7        # tonic: the 4th is in the key\n8  | Bb9#11       # ♭VII7 from the parallel minor: Lydian Dominant\n9  | DMaj7        # a non-tonic major chord: Lydian\n10 | Am7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | F#m7(add11)  # ii of the ii–V to E minor\n12 | B13b9        # V7\u002Fiii in C: the b9 is in the key, the 13 from the symbol\n13 | Em7(add11)   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (A 14 – B 6)\n14 | Ab13         # V7 of Db: natural tensions\n15 | DbMaj7       # tonic: the 4th is in the key\n16 | G9sus4       # ♯IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n17 | G7#5         # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b13 from the symbol\n# coda bars 5–6: BMaj7 held, fermata\n@ending 1 16\n@ending 2 17\n\nsection: B\nbars: 19\n1  | BMaj9        # ♭VIImaj7, borrowed from Db minor: Lydian (its ♯11 is in the key)\n2  | Ab13b9       # V7 of Db: the b9 from the symbol\n3  | DbMaj7       # tonic: the 4th is in the key\n4  | Bb13         # VI7 in Db, not resolving: the 13 from the symbol\n5  | BMaj7        # ♭VIImaj7, borrowed from Db minor: Lydian (its ♯11 is in the key)\n6  | G13sus       # ♯IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C major (B 6–7)\n6  | G13          # V7 of C: natural tensions\n7  | CMaj7        # tonic: the 4th is in the key\n# area: Db major (B 8–9)\n8  | Ab9          # V7 of Db: natural tensions\n9  | DbMaj9       # tonic: the 4th is in the key\n# area: C major (B 10 – Coda 5)\n10 | G13b9        # V7 of C: the b9 from the symbol\n11 | CMaj9        # tonic: the 4th is in the key\n12 | A7b9b5       # V7\u002Fii in C: b9, #11 and 13 from the symbol\n13 | Dm7          # ii: Dorian, the key’s own notes\n14 | CMaj7\u002FE      # tonic: the 4th is in the key\n14 | F            # IV: the #4 is the key’s 7th\n14 | G7           # V7 of C: natural tensions\n15 | CMaj7        # tonic: the 4th is in the key\n# bars 15–16: solo break\n16 | G13          # V7 of C: natural tensions\n@coda 14\n\nsection: Coda\nbars: 8\n1  | Dm7          # ii: Dorian, the key’s own notes\n1  | CMaj7\u002FE      # tonic: the 4th is in the key\n2  | F            # IV: the #4 is the key’s 7th\n2  | G7           # V7 in C, not resolving: natural tensions\n3  | Dm7          # ii: Dorian, the key’s own notes\n3  | C#m7         # a borrowed minor chord: Dorian, its own key\n4  | C#m7\n4  | BbMaj9       # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n4  | GMaj7        # a non-tonic major chord: Lydian\n5  | BMaj7        # a non-tonic major chord: Lydian\n",1793484804349]