[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:vera-cruz":3},"title: Vera Cruz\ncomposer: Milton Nascimento\nstyle: Baião\nkey: Gm\ntime: 3\u002F4\nform: AB, 29 bars\nrecording: Milton Nascimento; Courage; A&M; 1969\nyoutube: -xgMEmkjYgs\n# analysis: 2026-10-28, rules v2; G minor\n# recording: recorded 19 December 1968 and 26-27 February 1969, Van Gelder Studio, arr. Eumir Deodato, prod. Creed Taylor (A&M\u002FCTI SP-3019), the composers' own first recording; rule 1; sources: Discogs, MusicBrainz; video: Universal Music Group \"Provided to YouTube\" upload, album Courage, 3:10\n\nsection: A\n# area: G minor (A 1 – Coda 1)\n1  | Gm9        # tonic minor: Dorian by convention\n2  | Bbm9       # a borrowed minor chord: Dorian, its own key\n3  | Am9        # a borrowed minor chord: Dorian, its own key\n4  | Abm9       # a borrowed minor chord: Dorian, its own key\n5  | Gm9        # tonic minor: Dorian by convention\n6  | F#m9       # a borrowed minor chord: Dorian, its own key\n7  | CMaj9#11   # from the symbol: #11\n\nsection: B\ntime: 4\u002F4\n1  | Eb\u002FG       # a non-tonic major chord: Lydian\n2  | Bb\u002FG       # bIII of G minor: the relative major itself\n3  | Asus\u002FG     # V7sus4 of Dm7: the b13 is in the key\n4  | Dm7        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n5  | Gm9        # tonic minor: Dorian by convention\n6  | Gm6\u002F9      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | GmMaj7     # from the symbol: minor-major 7th\n8  | Gm9        # tonic minor: Dorian by convention\n9  | EbMaj9     # a non-tonic major chord: Lydian\n10 | Dm9        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n11 | Cm9        # iv: Dorian, the key’s own notes\n12 | Cm9\n13 | Bm9        # a borrowed minor chord: Dorian, its own key\n14 | Bb13       # V7\u002FbVI in G minor: natural tensions\n15 | EbMaj9     # a non-tonic major chord: Lydian\n16 | Dm9        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n17 | Gm7        # tonic minor: Dorian by convention\n18 | Gm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n19 | Gm         # tonic minor: Dorian by convention\n20 | Gm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n21 | Cm9        # iv: Dorian, the key’s own notes\n22 | AbMaj7\u002FEb  # a non-tonic major chord: Lydian\n22 | A7\u002FE       # II7 in G minor, not resolving: b9 and b13 are in the key\n@coda 8\n@time 21 3\u002F4\n\nsection: Coda\n1  | Am9        # a borrowed minor chord: Dorian, its own key\n# area: F# minor (Coda 2–3)\n2  | Abm9       # ii of the ii–V to F# minor\n2  | Db7#9#5    # V7 of F# minor: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | F#m9       # tonic minor: Dorian by convention\n# area: G minor (Coda 4–20)\n4  | D7b9#11    # V7 of G minor: the b9 is in the key, #11 and 13 from the symbol\n5  | Gm9        # tonic minor: Dorian by convention\n6  | Gm6\u002F9      # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | GmMaj7     # from the symbol: minor-major 7th\n8  | Gm9        # tonic minor: Dorian by convention\n9  | EbMaj9     # a non-tonic major chord: Lydian\n10 | Dm9        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n11 | Cm9        # iv: Dorian, the key’s own notes\n12 | Cm9\n13 | Bm9        # a borrowed minor chord: Dorian, its own key\n14 | Bb13       # V7\u002FbVI in G minor: natural tensions\n15 | EbMaj9     # a non-tonic major chord: Lydian\n16 | Dm9        # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n17 | Gm7        # tonic minor: Dorian by convention\n18 | Gm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n19 | Gm         # tonic minor: Dorian by convention\n20 | Gm6        # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n@coda 1\n",1793484804334]